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McCartney - McCartney FLAC

Genre: Rock / Pop
Performer: McCartney
Title: McCartney
Date of release: 13 Jun 2011
Label: MPL , Hear Music, Concord Music Group, Universal Music Group International
Catalog Number: HRM-32812-01, 0888072328129
Country: USA, Canada & Europe
FLAC album size: 2079 mb
MP3 album size: 1567 mb

Tracklist

1Maybe I'm Amazed (From One Hand Clapping)
Performer – Denny Laine, Geoff Britton, Jimmy McCulloch, Linda McCartney
4:51
2Man We Was Lonely2:57
3Don't Cry Baby (Out-Take)3:06
4The Lovely Linda0:42
5Suicide (Out-Take)2:46
6That Would Be Something2:38
7Women Kind (Demo) (Mono)2:05
8Junk1:54
9Maybe I'm Amazed3:48
10Hot As Sun (Live At Glasgow, 1979)
Performer – Denny Laine, Laurence Juber, Linda McCartney, Steve Holly
2:26
11Teddy Boy2:23
12Oo You2:49
13Maybe I'm Amazed (Live At Glasgow, 1979)
Performer – Denny Laine, Laurence Juber, Linda McCartney, Steve Holly
5:10
14Hot As Sun/Glasses2:06
15Kreen-Akrore4:10
16Every Night2:33
17Momma Miss America4:05
18Singalong Junk2:35
19Every Night (Live At Glasgow, 1979)
Performer – Denny Laine, Laurence Juber, Linda McCartney, Steve Holly
4:30
20Valentine Day1:40

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
PCS 7102, 1E 062 o 04394, PCS7102McCartney McCartney ‎(LP, Album, Gat)Apple Records, Apple Records, Apple RecordsPCS 7102, 1E 062 o 04394, PCS7102UK1970
noneMcCartney McCartney ‎(2xCDr, Album, Dlx, Promo, RM)MPL , Hear Music, Concord Music GroupnoneEurope2011
2C 264-04394 Paul McCartney McCartney ‎(Cass, Album)Apple Records2C 264-04394 France1970
C4-46611Paul McCartney McCartney ‎(Cass, Album, RE, RM, XDR)Capitol Records, MPL , ParlophoneC4-46611US1988
CP32-5454Paul McCartney McCartney ‎(CD, Album)OdeonCP32-5454Japan1987

Credits

  • Composed ByPaul McCartney
  • Consultant [Creative Consultant]Roger Huggett
  • Coordinator [Artwork & Photographic Co-ordinator]Claudia Schmid
  • Coordinator [Audio Co-ordinators]Lisa Power, Ruth Birch
  • Coordinator [Film Co-ordinator]Susanne Buckner
  • Coordinator [Remastering Project Co-ordinator]Allan Rouse
  • Creative Director, Design [Redesign]YES
  • Executive-ProducerPaul McCartney
  • Harmony Vocals [Harmonies]Linda
  • Instruments, VoicePaul
  • Mixed ByGeoff Emerick (tracks: C3 to D2)
  • Other [MPL Audio Archive] – Eddie Klein
  • Other [Publishing & Copyright] – Dave Bogart, Jane Kett, Nancy Jeffries
  • Photography By [All Other Photographs]Linda And Paul Mccartney
  • Photography By [Front & Back Cover Photographs]Linda
  • ProducerPaul McCartney
  • Project ManagerScott Roger
  • Recorded ByEddie Klein (tracks: C3 to D2), Mark Vigars (tracks: C3 to D2)
  • Recorded By, Mixed ByGeoff Emerick (tracks: C2), Paul McCartney (tracks: C1, D3, D4)
  • Remastered ByGuy Massey, Steve Rooke
  • Research [Additional Research]Toby McColl
  • Research [Photographic & Artwork Research]Catherine Shepherd, Rebecca Church, Richard Miller
  • SongwriterPaul McCartney
  • Backing Vocals [Harmonies], Photography ByLinda
  • Instruments, Vocals [Voices]Paul
  • Written-ByMcCartney
  • Backing Vocals [Harmonies]Linda
  • Photography ByLinda McCartney
  • Vocals, Instruments, Producer, Written-ByPaul McCartney
  • Composed ByPaul McCartney
  • Coordinator [Artwork & Photographic]Claudia Schmid
  • Coordinator [Audio]Lisa Power, Ruth Birch
  • Coordinator [Film]Susanne Buckner
  • Coordinator [Remastering]Allan Rouse
  • Creative Director [Creative Consultant]Roger Huggett
  • Design [Redesign]YES
  • Executive-ProducerPaul McCartney
  • Performer [Instruments], Vocals [Voices By]Paul (tracks: 1-1 to 1-13)
  • Photography ByPaul McCartney
  • Photography By [Photos]Linda
  • ProducerPaul McCartney
  • Reissue Producer [Project Manager]Scott Rodger
  • Remastered ByGuy Massey, Steve Rooke
  • Research [Additional]Toby McColl
  • Research [Photographic & Artwork]Catherine Shepherd, Rebecca Church, Richard Miller
  • Technician [Mpl Audio Archive]Eddie Klein
  • Vocals [Harmonies By]Linda (tracks: 1-1 to 1-13)

Notes

Released in a fold-out cover with a plain white Apple inner sleeve, carrying a patent caption at the bottom left.
label reads: PCS7102
sleeve back also reads: 1E 062 o 04394

Bottom of sleeve back reads:
EMI Records
(The Gramophone Co. Ltd.) Hayes, Middlesex, England
Printed and made in EnglandFirst stereo edition, 1970. Some copies are on the mono cover/sleeve, some have a "estereofônico" (stereophonic) sticker on top.
SBTX 1011 on labels, BTX 1011 on front.Gatefold, tip-on sleeve.
Two disc 180 gram audiophile vinyl edition. Hype sticker on shrink wrap. Printed inner sleeves. D/L voucher.

℗ & © 2011 Copyright owned by MPL Communications Inc under exclusive license to StarCon LLC d/b/a Hear Music, 100 N. Crescent Drive, Beverly Hills, CA 90210. Hear Music™ is a licensed trademark of Starbucks US Brands, LLC in the USA and Starbucks Corporation outside the USA.
Printed in the EU.

Disc 1: Original Recording © 1970 MPL Communications Inc
Remaster ℗ 2011 MPL Communications Inc under exclusive license to StarCon, LLC

Disc 2:
Tracks C1, D3, D4 recorded at Rude Studio
Track C2 recorded at Abbey Road Studios
Tracks C3-D2 recorded live at The Apollo, Glasgow
Tracks A1, A2, D3, D4 mastered at Abbey Road Studios
Tracks C3-D2 remastered at Abbey Road Studios

Suicide, Don't Cry Baby, Women Kind
Original Recording ℗ 1970 MPL Communications Inc
Maybe I'm Amazed [From One Hand Clapping]
Original Recording ℗ 1974 MPL Communications Inc
Every Night, Hot As Sun, Maybe I'm Amazed [Live At Glasgow, 1979]
Original Recording ℗ 1979 MPL Communications Inc

Compilation ℗ 2011 MPL Communications Ltd/Inc under exclusive license to StarCon, LLC

All titles published by Sony/ATV Tunes LLC (ASCAP) except Women Kind published by MPL Communications Ltd/Inc

Barcodes

  • Barcode (Text): 8 88072 32797 9
  • Barcode (Scanned): 888072327979
  • Matrix / Runout (CD1): Arvato Digital Services 4652/11 88807232144 _ _
  • Matrix / Runout (CD2): Arvato Digital Services 4677/11 66699900613 _ _
  • Mastering SID Code (CD1 & CD2): IFPI LW75
  • Mould SID Code (CD1): IFPI 1127
  • Other (Batch ID): AA0002000
  • Barcode (Spaces removed): 888072328129
  • Matrix / Runout (Side A runout etched): BA22370-01 A₁
  • Matrix / Runout (Side B runout etched): BA22370-01 B₁
  • Matrix / Runout (Side C runout etched (variation 1)): BA22370-02 C₁
  • Matrix / Runout (Side C runout etched (variation 2)): BA22370-02 C₂
  • Matrix / Runout (Side D runout etched): BA22370-02 D₁
  • Rights Society: ASCAP

Companies

  • Record Company – The Gramophone Co. Ltd. – 1E 062 o 04394
  • Recorded At – Abbey Road Studios
  • Recorded At – Rude Studio
  • Recorded At – Apollo Theatre, Glasgow
  • Mastered At – Abbey Road Studios
  • Remastered At – Abbey Road Studios
  • Phonographic Copyright (p) – MPL Communications Inc.
  • Copyright (c) – MPL Communications Inc.
  • Licensed To – Starcon, LLC
  • Pressed By – Optimal Media Production – BA22370
  • Published By – Sony/ATV Tunes LLC
  • Published By – MPL Communications Ltd.
  • Published By – MPL Communications Inc.
  • Distributed By – Sonopress-Rimo da Amazônia Indústria e Comércio Fonográfica Ltda.
  • Manufactured By – Sonopress-Rimo da Amazônia Indústria e Comércio Fonográfica Ltda.

Video

Comments to album McCartney - McCartney
Yozshugore
Excellent remaster here-smooth, warm, and rich, a real pleasure to listen to, and now, easily one of the better "remasters" out of all the Beatle's solo debuts thus far (George Harrison’s 2017 vinyl release for “All Things Must Pass” is incredible). The subtleties that were heard on the original album remain mostly intact-no booming low end, just a little retouch that suites the laidback feeling of the record. When listening, one may forget all the troubles Paul was going through when creating this sadly underrated gem. The difference between this remaster and the original 70' 1u 1u is in how Paul's beautiful vocals are presented, which are a key factor when listening to the album, they sit a little cozier within the instrumentation on this new update. On the 70' pressing, the vocals are more out front, very direct, and in some instances (namely "Maybe I'm Amazed") filled with raw emotion, revealing a vulnerable man. It is that vulnerability of course that makes Paul's debut so important, not just a mere stepping-stone into his solo career like Ringo's debut before it, but as a candid look into what it was like for Mr. McCartney suddenly finding himself without his best friends and collaborators, although he does have the "lovely Linda" at his side. This album is "McCartney", alone, his "Paul of the Beatles" identity stripped away with the band's input entirely absent. While John and George were relieved, and liberating themselves from the chains of the “clever Beatles" on their solo debuts, Paul's 1st offering was a process of another kind, a painful one of starting from scratch and finding his own heading. If some of the songs that were judged as incomplete and scetch-like upon release were exactly that, Paul’s own incomplete concepts without a little help from his friends, and were offered intentionally as such, then the album as a whole is ingenious...I found the second disc for this remaster to be indispensable, both outtakes “Suicide” and “Don’t Cry Baby” are much appreciated, while "Woman Kind" would have been a perfect closer to the original release, ending it on a humorous note, not unlike what was done on "Let It Be" & "Abbey Road" (I typically close the album myself by picking up the needle at the end of "Maybe I'm Amazed"), but then again, that would have been repeating something that had been done before in another time. Instead, the album closes with a nod to the future, the experimental sounding (and maybe the most malformed) "Kreen-Akrore" suggests that Paul was still figuring things out for himself, toying around with his ideas, and perhaps maybe that his "own work" was to be the embodiment of adventure...At present, the “Achrive Collection” continues to solidify it’s initial and award winning vision, an all encompassing journey into Paul’s individual works. For me, it has established itself as the blueprint and model for how a veteran “Artist” can bring it’s “Fans” and “Critics” alike into what was really going on creatively at the time-Paul’s musical “genius” and music business mindset continue to forge ahead fearlessly.
Beautiful write-up, couldn't agree more, and it helps my fiance's name is Linda and she loves this album... so I got it just for her.We also both love rain ;)
Thanks for this. I've been wishing for a good copy of this for a long time - didn't even realize a RM was available. One of my favorite albums ever - has been since I was a kid really.
great write up - I agree - This album sounds very solitary
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