Producer – A Tribe Called Quest (tracks: A1 to A3, B1 to C3, D1 to D4)
Design – ZombArt JK
Engineer [Additional Engineering] – Tim Latham
Engineer [Assistant Engineer] – Brad Schmidt, Chris Flam, Eric Gast, George Spatta, Gerard Julien, Hoover Le, Patrick Derivaz, Pete Christensen
Management – Chris Lighty, Rush Management
Mastered By – Tom Coyne
Photography By [Heads By] – TAR
Photography By [Night Scene By] – Darren Modricker
Photography By [Women And Back Cover Group] – Carol Weinberg
Producer – A Tribe Called Quest (tracks: 1 to 3, 5 to 10, 12 to 14), Large Professor (tracks: 11), Skeff Anselm (tracks: 4)
Recorded By, Mixed By – A Tribe Called Quest, Bob Power (tracks: 1 to 13), Tim Latham (tracks: 14)
Voice – Laurel Dann (tracks: 1)
Written-By – A. Muhammed, Neville (tracks: 9), B. James (tracks: 9), B. Hankerson (tracks: 12), F. Hubbard (tracks: 5), Porter (tracks: 9), J. Davis, Modeliste (tracks: 9), Norcentelli (tracks: 9), M. Taylor, S. Anselm (tracks: 4), S. Arrington (tracks: 12), V. Godsey (tracks: 12), W. Mitchell (tracks: 11)
Notes
"8 Million Stories" produced for Skeffington Productions, Inc. "Keep Rollin'" produced for Paul Sea Productions, Inc. Mixed at Battery Studios Recorded at Battery Studios, Platinum Island/Mastermix and Sorcerer Sound Mastered at the Hit Factory, NYC An original sound recording made by Zomba Recording Corporation
All songs published by Zomba Enterprises Inc./Jazz Merchant Music (adm. by Zomba Enterprises Inc.) (ASCAP) except: "8 Million Stories" published by Zomba Enterprises Inc./Jazz Merchant Music (adm. by Zomba Enterprises Inc.)/Music Carb Music/Warner Chappell (ASCAP) "Sucka Nigga" published by Zomba Enterprises Inc./Jazz Merchant Music (adm. by Zomba Enterprises Inc.) (ASCAP)/Hub-Tones Music (BMI) "Clap Your Hands" published by Zomba Enterprises Inc./Jazz Merchant Music (adm. by Zomba Enterprises Inc.)/RemididMusic (ASCAP)/Rhinelander Music (BMI) "Keep It Rollin'" published by Zomba Enterprises Inc./Jazz Merchant Music (adm. by Zomba Enterprises Inc.)/The Large Professor Music/EMI Blackwood Music, Inc. (ASCAP) "The Chase, Part II" published by Zomba Enterprises Inc./Jazz Merchant Music (adm. by Zomba Enterprises Inc.) (ASCAP)/Konglather Music Co./GlobeArt Publishing/obo Boyz Club (BMI)
Trugoy, the dove of De La Soul courtesy of Tommy Boy Records. Raphael Wiggins courtesy of Wing/Mercury Records. Busta Rhymes courtesy of Elektra Entertainment, a division of Warner Communications, Inc. Large Professor courtesy of Wild Pitch Records.
"Award Tour" contains a sample of "We Gettin" Down" written and performed by Weldon Irvine, courtesy of Nodlew Music (adm. Unichappell Music (BMI) and BMG Music. "Sucka Nigga" contains a sample of "Red Clay" written by F. Hubbard and performed by Jack Wilkens, courtesy of Hub-Tones Music (BMI) and Sony Music Entertainment Inc. "We Can Get Down" contains a sample of "Martin's Funeral" written by B. Cosby and performed by Bad Foot Brown & The Budions Bradford Funeral & Marching Band courtesy of Turtle Head Pub. Co. (BMI). All rights administered by Warner Tamerlane Corp. (BMI). "Clap Your Hands" contains samples of "Hand Clapping Song" written by Norcelli, Porter, Neville and Modeliste and performed by The Meters, courtesy of Rhinelander Music and "Nautilas" written and performed by Bob James, courtesy of Remidid Music (ASCAP) and Tappan Zee Records. "Oh My God" contains samples of "Who's Gonna Take Weight" written by Bell, Bell, Mickens, Smith, Brown, Handy, Thomas and Westfield and performed by Kool & The Gang, courtesy of Warner Tamerlane Corp. (BMI) and PolyGram Special Markets and "Absolutions" performed by Lee Morgan courtesy of Capitol Records. "Keep It Rollin'" contains a sample of "Feel Like Makin' Love" written by E. McDaniels and performed by Ray Ayers, courtesy of Skyforest Music (BMI) and PolyGram Special Markets. "The Chase, Part II" contains samples of "Nobody Beats The Biz" written by B. Markie and M. Marl and performed by Biz Markie, courtesy of Cold Chillin' Music (adm. by WB Music Corp.) (ASCAP) and Cold Chillin' Records by arrangement with Warner Special Products and "Beddie Bey" written by S. Arrington, V. Godsey and B. Hankerson and performed by Steve Arrington, courtesy of Konglather Music Co./GlobeArt Publishing obo Boys Club (BMI) and Atlantic Recording Corp. by arrangement with Warner Special Products. "Lyrics To Go" contains a sample of "Inside My Love" written by L. Ware, M. Ripperton and R. Rudolph and performed by Minnie Ripperton, courtesy of Dickiebird Music Pub. Co. (BMI)/Jobete Music (ASCAP) and Capitol Records. The "Interlude" music contains a sample of "Aquarius" written by J. Donadu and performed by Cal Tjader, courtesy of Unichappell Music/Tijuca Music Co. All rights administered by Unichappell Music (BMI) and PolyGram Special Markets.
Heavy D appears courtesy of Bad Boy Entertainment Daddy O appears courtesy of Brooktown / Island Records Beastie Boys appears courtesy of Capitol Records Diamond D appears courtesy of Chemistry Records Chuck D, M.C. Serch and Pete Nice appears courtesy of Def Jam / RAL / Chaos Pharcyde appears courtesy of Delicious Vinyl M. C. Lyte appears courtesy of East / West / Atlantic Records Busta Rhymes and Del Tha Funkee Homosapien appears courtesy of Elektra Entertainment Doug E. Fresh appears courtesy of Gee Street Records Organized Konfusion appears courtesy of Hollywood Records Black Moon appears courtesy of Nervous Records Lords of the Underground appears courtesy of Pendulum Records Special Ed appears courtesy of Profile Records Chi Ali appears courtesy of Relativity Records Ice T appears courtesy of Rhyme Syndicate Records AMG appears courtesy of Select Records De La Soul appears courtesy of Tommy Boy Records Jungle Brothers appears courtesy of Warner Bros. Records Large Professor appears courtesy of Wild Pitch Records
According to Sonopress Arvato, USA profile, this particular release Glass Mastered in 2007
Packaging: Black tray jewel case with a 8-panel fold-out booklet.BPM is not present on the record and was recorded at zero pitch using EFX-500. BPM: A1: - | A2: 95 | A3: 97 | A4: 94 B1: 86 | B2: 95 | B3: 94 C1: 99 | C2: 93 | C3: 95 | C4: 88 D1: 94 | D2: 97 | D3: 95 | D4: 100
No consequence rap on the album version of "the chase part II" ! Consequence rap verses only available on the award tour 12" single.
Barcodes
Matrix / Runout: MCPS/BIEM
Matrix / Runout (Runout Side A): HIP - 143 - A1 MAX.
Matrix / Runout (Runout Side B): HIP - 143 - B1 MAX.
Matrix / Runout (Runout Side C): HIP - 143 - C1 MAX.
Matrix / Runout (Runout Side D): HIP - 143 - D1 MAX.
