Alice In Chains - Black Gives Way To Blue FLAC

Alice Chains Virgin Alternative Rock Hard Rock Heavy Metal 2009

Genre:	Rock
Performer:	Alice In Chains
Title:	Black Gives Way To Blue
Style:	Alternative Rock, Hard Rock, Heavy Metal
Date of release:	29 Sep 2009
Label:	Virgin
Catalog Number:	509999 67159 1 8
Country:	US
FLAC album size:	2698 mb
MP3 album size:	1262 mb

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Tracklist

1	Your Decision Strings, Engineer [Strings], Arranged By [Strings], Performer [Strings] – Stevie Blacke
2	Private Hell
3	Check My Brain
4	Last Of My Kind
5	Your Decision
6	Lesson Learned
7	Black Gives Way To Blue
8	When The Sun Rose Again
9	Take Her Out
10	Black Gives Way To Blue Piano – Elton JohnVibraphone – Lisa Coleman
11	Acid Bubble
12	All Secrets Known
13	A Looking In View
14	Private Hell Strings, Engineer [Strings], Arranged By [Strings], Performer [Strings] – Stevie Blacke
15	When The Sun Rose Again Tabla – Chris Armstrong

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
509999 67159 25, 509999 67159 2 5	Alice In Chains	Black Gives Way To Blue ‎(CD, Album, Car)	Virgin, Virgin	509999 67159 25, 509999 67159 2 5	US	2009
5099993 08264 2 7	Alice In Chains	Black Gives Way To Blue ‎(CD, Album)	Virgin	5099993 08264 2 7	Australia	2009
509999 67159 25, 509999 67159 2 5	Alice In Chains	Black Gives Way To Blue ‎(CD, Album, RP)	Virgin, EMI	509999 67159 25, 509999 67159 2 5	US	Unknown
509993 08264 2 7	Alice In Chains	Black Gives Way To Blue ‎(CD, Album)	Virgin	509993 08264 2 7	Europe	2009
9993082642L	Alice In Chains	Black Gives Way To Blue ‎(CD, Album)	Virgin	9993082642L	Malaysia	2009

Credits

Art Direction, Design – Matt Taylor
Booking [International] – John Jackson
Booking [North American] – Jon Pleeter
Engineer [Assistant at Henson Studios] – Kevin Mills
Engineer [Assistant at Studio 606] – John Lousteau
Engineer [Second Engineer at Henson Studios] – Martin Cooke
Illustration [Illustrations Pages 7 & 11] – Emmanuel Polanco
Legal – Peter Paterno
Management [Business] – David Weise & Associates
Management [Worldwide Representation] – Susan Silver Management, Velvet Hammer Music And Management Group
Mixed By – Randy Staub
Other [Model] – Sarah McNeilly
Photography By [Band] – James Minchen III
Photography By [Package Interior] – Rocky Schenck
Producer, Art Direction – Alice In Chains
Producer, Engineer [Additional Engineering] – Nick Raskulinecz
Recorded By – Paul Figueroa

Art Direction – Alice In Chains, Matt Taylor
Booking [International Booking] – John Jackson
Booking [North American Booking] – Jon Pleeter
Design – Matt Taylor
Engineer [Additional] – Nick Raskulinecz
Engineer [Assisted By at Henson Studios] – Martin Cooke
Engineer [Assisted By at Studio 606] – John "Lou Dog" Lousteau
Engineer [Second/assistant, Henson] – Kevin Mills
Illustration – Emmanuel Polanco
Lacquer Cut By – RJ
Legal – King, Holmes, Paterno & Berliner, Peter Paterno
Management [Business Management] – David Weise & Associates
Management [Worldwide Representation] – Susan Silver Management, Velvet Hammer Music And Management Group
Mastered By – Ted Jensen
Mixed By – Randy Staub
Other [Model] – Sarah McNeilly
Photography By [Band] – James Minchin III
Photography By [Package Interior Photography] – Rocky Schenck
Producer – Alice In Chains, Nick Raskulinecz
Recorded By – Paul "Fig" Figueroa
Written-By – Jerry Cantrell, Mike Inez (tracks: B2, CD-5), Sean Kinney (tracks: B2, CD-5), William Duvall (tracks: A3, B2, CD-3, CD-5)

Art Direction – Alice In Chains, Matt Taylor
Artwork By [Illustrations Pages 7 & 11] – Emmanuel Polanco
Design – Matt Taylor
Engineer [Additional] – Nick Raskulinecz
Engineer [Second/assistant, Henson] – Kevin Mills, Martin Cooke
Management [Booking] – Jon Pleeter
Management [International Booking] – John Jackson
Management [Legal] – Peter Paterno
Mastered By – Ted Jensen
Mixed By – Randy Staub
Other [Model] – Sarah McNeilly
Photography By [Band] – James Minchen III
Photography By [Package Interior] – Rocky Schenck
Producer – Alice In Chains, Nick Raskulinecz
Recorded By – Paul Figueroa
Technician [Assisted By, Studio 606] – John Lousteau
Written-By – Jerry Cantrell, Mike Inez (tracks: 5), Sean Kinney (tracks: 5), William Duvall (tracks: 3, 5)

Notes

℗ 2009 The Copyright in this sound recording is owned by Virgin Records America Inc. © 2009 Virgin Records America Inc. © 2009 EMI Records Ltd.

Issued in a regular jewel case with 12 page booklet.

On back cover: Printed in EU
On disc: Made in EU

Durations are not printed on the release.

From the booklet:
Recorded at Studio 606, Northridge, CA and Henson Studios, Los Angeles, CA
Mixed at Henson Studios, Los Angeles, CA and Warehouse Studios, Vancouver, BC
Mastered at Sterling Sound, New York, NY

Elton John appears courtesy of Mercury Records Limited.
North American Booking: Jon Pleeter, CAA
International Booking: John Jackson, K2 Tours, Inc.
Legal: Peter Paterno, King Holmes Paterno & Berliner, LLP
Design: Matt Taylor for Varnish Studio IncDigipak packaging.

Recorded at Studio 606, Northridge, CA and Henson Studios, Los Angeles, CA.
Mixed at Henson Studios, Los Angeles, CA and Warehouse Studios, Vancouver, BC.
Mastered at Sterling Sound, New York, NY.

Elton John appears courtesy of Mercury Records Limited.

Worldwide Representation: Velvet Hammer Music and Management Group and Susan Silver Management.
North American Booking: CAA
International Booking: K2 Tours, Inc.
Legal: King Holmes Paterno & Berliner, LLP.
Business Management: David Weise & Associates
Design for Varnish Studio Inc.

Virgin Records logo is a registered trade mark of Virgin Enterprises Ltd.
EMI is a registered trade mark of EMI Group plc. Used under license
℗ 2009 Virgin Records.
© 2009 Virgin Records.
Manufactured and distributed by EMI Music Canada.
Made in Canada.(P) 2009 The Copyright in this recording is owned by Virgin Records. (C) 2009 Virgin Records.

Translucent, clear vinyl in gatefold sleeve.
Additional CD version included inside package.

Barcodes

Barcode (Printed): 5 0999-9-67159-18
Rights Society: SESAC
Rights Society: ASCAP
Matrix / Runout (Side A Runout, Etched): 50999-9-67159-1-8A RJ S-69982
Matrix / Runout (Side B Runout, Etched): 50999-9-67159-1-8B RJ S-69983
Matrix / Runout (Side C Runout, Etched): 50999-9-67159-1-8C RJ S-69984
Matrix / Runout (Side D Runout, Etched): 50999-9-67159-1-8D RJ S-69985
Matrix / Runout (Sides A to D Runout, Stamped): STERLING
Matrix / Runout (CD): DIDX239095 4 A01
Mastering SID Code: IFPI L328
Mould SID Code: IFPI 50H2

Barcode: 5 0999-9-67159-25

Barcode: 5099930826625
Matrix / Runout: Sony DADC [Universal logo] 3082662V2 22 A00
Mastering SID Code: IFPI L552
Mould SID Code: IFPI 942L
Rights Society: SDRM BIEM
Label Code: LC 0299

Companies

Phonographic Copyright (p) – Virgin
Copyright (c) – Virgin
Manufactured By – Virgin
Recorded At – Studio 606
Recorded At – Henson Recording Studios
Mixed At – Henson Recording Studios
Mixed At – The Warehouse Studio
Mastered At – Sterling Sound
Published By – Buttnugget Publishing
Published By – Ultramad Publishing
Published By – Lungclam Music
Published By – Michael Inez Music
Pressed By – Rainbo Records – S-69982
Pressed By – Rainbo Records – S-69983
Pressed By – Rainbo Records – S-69984
Pressed By – Rainbo Records – S-69985

Phonographic Copyright (p) – Virgin Records America, Inc.
Copyright (c) – Virgin Records America, Inc.
Copyright (c) – EMI Records Ltd.
Marketed By – EMI
Distributed By – EMI
Manufactured By – Sony DADC – 3082662V2
Recorded At – Studio 606
Recorded At – Henson Recording Studios
Mixed At – Henson Recording Studios
Mixed At – The Warehouse Studio
Mastered At – Sterling Sound
Designed At – Varnish Studio Inc

Video

Kriau

Great album and awesome songs. Very glad to have this on vinyl. Sound quality- Upon opening I could see lots of debris on the surface of the record. I gave both a thorough cleaning and they sound excellent. No issues.

Beazekelv

I had issues when I bought this new with surface noise as well. I have since bought a vacuum cleaner and put it through a thorough clean. It now sounds pristine. I assume there was a lot of leftover debris from the pressing process on this press. Do yourself a favor and deep clean this one and you will no longer be disappointed.

Rarranere

Knowing all vinyl can be slightly different during the pressing process, I would just like to add that my copy plays perfectly and the sound quality is outstanding. I have no skating, reverb, hissing, etc...vocals are crisp and low end is clear and still drives the songs...overall 5/5 for this copy.

felt boot

I bought my copy a few years back. Giving it a listen, and it sounds fantastic through my ortofon cartridge, onkyo reciever, and Klipsch speakers. I'd love to play at an extreme volume, but it might offend my wife. This album not only sounds great, but is also is yet another Alice in Chains masterpiece. The artwork, gatefold, bonus CD, and beautiful clear vinyl make it a great piece in my vast collection. If you like AIC, buy the vinyl, don't settle for compressed, flat, and empty digital sound.

Monin

May be luck of the draw but I just purchased a copy from amazon and it is excellent. I really appreciate when artists include a physical cd with their vinyl release! Will say though that after listening to this on vinyl I think my hearing has deteriorated!

Clever

Tons of surface noise on mine. Sounds like the needle is digging into carboard it is so loud.

Qumen

I don't know what you guys are talking about, but my copy is silent, loud, and VERY full sounding.

Arcanescar

You must have a full library of 128 bit tracks on a set of Packard Bell speakers

Marg

My copy is just horrible. Nothing but surface noise. It sounds as if someone scratched the crap out of my record and sprinkled it with 50 year old dust. I've cleaned the record twice, cleaned my stylus, switched out my stylus. Same surface noise. Its just horrible!

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Also my copy was brand new!

Bloodray

Sound quality is lacking. It's apparent that the analog tapes were not used in the process of making this pressing. It sounds like a digital source put on vinyl. Disappointing, because the music is good.