Amina Claudine Myers Trio - The Circle Of Time FLAC

Amina Claudine Myers Trio Italy Black Saint Contemporary Jazz Soul Jazz 1984

Genre:	Jazz
Performer:	Amina Claudine Myers Trio
Title:	The Circle Of Time
Style:	Contemporary Jazz, Soul-Jazz
Date of release:	1984
Label:	Black Saint
Catalog Number:	BSR 0078
Country:	Italy
FLAC album size:	1178 mb
MP3 album size:	1661 mb

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Tracklist

1	Louisville	6:50
2	Do You Wanna Be Saved?	8:13
3	The Circle Of Time	6:43
4	Plowed Fields	7:08
5	Christine	8:58
6	The Clock	6:26

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
120078-2	Amina Claudine Myers Trio	The Circle Of Time ‎(CD, Album, RE, Bla)	Black Saint	120078-2	Italy	Unknown
120078-2	Amina Claudine Myers Trio	The Circle Of Time ‎(CD, Album, RE)	Black Saint	120078-2	Italy	Unknown
BSR 0078 CD	Amina Claudine Myers Trio	The Circle Of Time ‎(CD, Album, RE)	Black Saint	BSR 0078 CD	Italy	1987

Credits

Artwork [Cover Art] – Pick Up Studios
Composed By, Piano, Organ, Vocals, Harmonica, Triangle – Amina Claudine Myers
Electric Bass, Contrabass [Countrabass] – Don Pate
Engineer [Mastering Engineer] – Gennaro Carone
Engineer [Recording Engineer] – Giancarlo Barigozzi
Liner Notes – Robert Thurman
Percussion – Thurman Barker
Photography By [Cover Photography] – Alice Su
Producer – Giovanni Bonandrini

Notes

Recorded February 3 and 4, 1983 at Barigozzi Studio, Milano
Mastered at PolyGram Factory, Tribiano (Milano)

© 1984 Black Saint ℗ 1984 Black Saint - back cover
© ℗ 1983 Black Saint - side B label

Made in Italy.

Barcodes

Rights Society: ASCAP
Rights Society: S.I.A.E.
Matrix / Runout (Runout side A): BSR0078 A 520 2
Matrix / Runout (Runout side B): BSR0078 B 520 2

Companies

Distributed By – IREC Milano
Copyright (c) – Black Saint
Phonographic Copyright (p) – Black Saint
Published By – Ramina Publishing Co.
Recorded At – Barigozzi Studio
Mastered At – Polygram, Tribiano
Printed By – Grafiche Dotti

Video

Cargahibe

Amina Claudine Myers isn't familiar to me. Nevertheless, this is a somewhat interesting piece by her. Do You Wanna Be Saved seems forced - particularly in its use of the organ for the solo. The rest of tracks seem very typical of what she might have done with the AACM. The Clock is very reminiscent of that AACM influence. My favorites are Louisville and Christine