Brave New World - Impressions On Reading Aldous Huxley FLAC

Brave New World Germany Vertigo Krautrock Experimental Prog Rock 1972

Genre:	Electronic / Rock
Performer:	Brave New World
Title:	Impressions On Reading Aldous Huxley
Style:	Krautrock, Experimental, Prog Rock
Date of release:	1972
Label:	Vertigo
Catalog Number:	6360 606
Country:	Germany
FLAC album size:	2723 mb
MP3 album size:	2715 mb

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Tracklist

1	Malpais Corn Dance Written-By – J. O'Brien-Docker	3:27
2	Epilogue Written-By – J. O'Brien-Docker, R. Firchow	0:05
3	Alpha, Beta, Gamma, Delta, Epsilon...Ford Written-By – J. O'Brien-Docker	7:55
4	Soma Written-By – H. Geller, J. O'Brien-Docker	5:22
5	The End Voice [Spoken Voice] – John O'Brien-DockerWritten-By – J. O'Brien-Docker, R. Firchow	19:22
6	Lenina Voice [Spoken Voice] – Esther DanielsWritten-By – H. Geller, J. O'Brien-Docker	4:27
7	Prologue Written-By – J. O'Brien-Docker, R. Firchow	1:02

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
ARF 099	Brave New World	Impressions On Reading Aldous Huxley ‎(CD, Album, RE, Unofficial)	Austria Record Finder	ARF 099	Austria	2009
6360 606	Brave New World	Impressions On Reading Aldous Huxley ‎(LP, Album, Promo)	Vertigo	6360 606	Germany	1972
6360 606	Brave New World	Impressions On Reading Aldous Huxley ‎(LP, Album, Unofficial, Gat)	Vertigo	6360 606	Unknown
DGCD100090	Brave New World	Impressions On Reading Aldous Huxley ‎(CD, Album, Unofficial)	Dogtoire	DGCD100090	Russia	Unknown
ATL 40299	Brave New World	Impressions On Reading Aldous Huxley ‎(LP, Album, RE, Unofficial)	GL Records	ATL 40299	Unknown

Credits

Acoustic Guitar, Electric Guitar, Organ, Percussion, Vocals, Wind Chimes – John O'Brien-Docker
Arranged By [Arrangement] – Herb Geller (tracks: A3)
Arranged By [Arrangements] – John O'Brien-Docker (tracks: A1, A2, A4 to B2)
Bass, Double Bass [Bass Fiddle], Organ, Piano – Lucas Lindholm
Concept By [Original Idea And Musical Conception] – John O'Brien-Docker
Concert Flute [C Flute], Alto Flute, Bass Flute, Cor Anglais, Alto Saxophone, Soprano Saxophone, Tenor Saxophone, Organ – Herb Geller
Drums, Percussion – Dicky Tarrach
Engineer [Sound Engineer] – Thomas Kukuck
Producer [Produced By] – John O'Brien-Docker
Recorder [Recorders], Flute [Bamboo Flutes, Lotus Flute, Reed Flute], Ocarina [Ocharina], Stylophone, Percussion, Vocals – Reinhart Firchow

Notes

Recorded in Studio Maschen on 16 tracks on May 1st,2nd,3rd,7th,14th, June 9th,11th; mixed on June 11th,24th and 26th.

Released in a laminated fold-out cover on a ''swirl'' Vertigo label.

Barcodes

Matrix / Runout (Side B record label): AA 6360 606.1 Y
Matrix / Runout (Also on Side B record label): AA 6360 606.2 Y
Matrix / Runout (Side A runout, stamped): 10 AA6360606 1Y 320 B 1
Matrix / Runout (Side B runout, stamped): 10 AA6360606 2Y 320 B 1 1
Rights Society: GEMA
Price Code (Boxed): D

Companies

Published By – Team Musikverlag
Recorded At – Studio Maschen
Lacquer Cut At – Deutsche Grammophon Gesellschaft Pressing Plant
Pressed By – Deutsche Grammophon Gesellschaft Pressing Plant

Video

Low_Skill_But_Happy_Deagle

Great Krautrock album!! Do anyone know is the cover picture real. If so, where it was taken?

Zovaithug

Hi everybody:

I have the unofficial release of Brave New World, does anyone have any info about? The roundout num/letters are: ATL40299, I bought it some years ago on eBay...

Thank you

René

Xar

These are one of those old German groups who recorded one amazing album and the vanished into obscurity. Their style was very bizarre, comprising of elements of rock, jazz, classical and Eastern music. It's not possible for us to compare them with anyone else as we've heard nothing like it. Side 1 has 5 tracks, the second track is Alpha, Beta, Gamma, Delta, Epsilon...Ford, and is full of unusual ideas; weird, slurring drums, droning organ, haunting breathing sounds...the whole affect is quite astounding. Most of side 2 is taken up by The End, which works along similar lines with a backdrop of amplified Stylophone, chanting vocals and growling bass fiddle. All we can say is if you see it, buy it, as it is a very rare and hard to find album.
by Alan & Steve Freeman, first published in Face Out ca. 1978-79

terostr

Yes, this must be a concept album, at least according to the title, but not much inside the grooves conveys a Huxleyan atmosphere. Although the brainchild of O'Brien, who wrote or co-wrote all the material, the main ingredient is the truly magical flute of Geller, who can produce any style imaginable and does so convincingly, too.
A sad recorder over solemn organ in ''Prologue'' slowly gives way to the warm sound patterns of ''Alpha'', a versatile piece of jazzy rock and leading to passages with experimental use of different tape speeds. ''Lenina'' is very serene with a narration and multi-voiced flutes, while ''Soma'' is krautrock in the best of traditions with long guitar improvisations over a floor of organ. Almost early Pink Ployd, but with the unusual sound of an embedded flexatone. And there is ''Malpais Corn Dance'', an unlikely track that sounds like folk music played by Martians.
Side B is dominated by the long suite ''The End'' (nothing to do with The Doors, of course) which pulls all stops. Wistful wind, English horn, ocarina, double-tracked recorders, sombre monk's choirs, Scottish percussion, wild electric guitars, heavy synths, cascading saxes, soft-horror, well anything almost, but somehow forged into a meaningful whole, that can hardly be compared with anything else we have heard. Krautrock in its best form, an at times almost magical record!