Music By – Bill BrufordWords By [Words] – Bill Bruford
7:09
2
Sample And Hold
Written-By – Bill Bruford, Dave Stewart
5:12
3
Seems Like A Lifetime Ago (Part Two)
Written-By – Bill Bruford
4:25
4
Beelzebub
Written-By – Bill Bruford
3:16
5
If You Can't Stand The Heat...
Written-By – Bill Bruford, Dave Stewart
3:20
6
Adios A La Pasada (Goodbye To The Past)
Music By – Bill BrufordWords By [Words] – Annette Peacock
7:55
7
Either End Of August
Written-By – Bill Bruford
5:27
8
Springtime In Siberia
Written-By – Bill Bruford, Dave Stewart
2:43
9
Feels Good To Me
Guitar [Additional] – John GoodsallWritten-By – Bill Bruford
3:49
10
Seems Like A Lifetime Ago (Part One)
Music By – Bill BrufordWords By [Words] – Bill Bruford
2:30
Versions
Category
Artist
Title (Format)
Label
Category
Country
Year
2302 075, 2302-075
Bruford
Feels Good To Me (LP, Album)
Polydor, Polydor
2302 075, 2302-075
UK
1978
WFBX1
Bruford
Feels Good To Me (CD, Album, RM + DVD-V, Multichannel, 5.1 + RE, Rem)
Winterfold
WFBX1
UK
2019
BBWF 003 CD
Bruford
Feels Good To Me (CD, Album, RM, RP)
Winterfold
BBWF 003 CD
UK
Unknown
MPF 1130
Bruford
Feels Good To Me (LP, Album)
Polydor
MPF 1130
Japan
1978
CJFCD 10990606
Bruford
Feels Good To Me (CD, Album, Ltd, Unofficial)
ООО "Канкард"
CJFCD 10990606
Russia
1999
Credits
Bass – Jeff Berlin
Design [Sleeve Design] – Cream
Engineer – Steve W.Tayler
Flugelhorn – Kenny Wheeler
Guitar – Allan Holdsworth
Keyboards, Musical Assistance [Reasonably Advanced Harmonic Advice] – Dave Stewart
Liner Notes – Richard Williams
Percussion [Tuned And Untuned], Drums [Kit Drums], Composed By [Tunes And Final Say] – Bill Bruford
Photography By [Inner Sleeve] – Jacquie Deegan, Dick Wallis
Photography By [Sleeve] – Gered Mankowitz
Producer [Produced By] – Bill Bruford, Robin Lumley
Tape Op [Tape Operator] – Colin Green, John Brand, Stephen Short
Technician [Equipment] – Mick Rossi, Pete Revill
Technician [Polymoog Consultant] – Val Joseph
Vocals [Vocal] – Annette Peacock
Notes
Thanks to Neil Murray: A bass player when I needed one. The music on this album was written between January and June 1977 rehearsed for three weeks and recorded and mixed at Trident Studios in London, August 1977. It's also a present for Carolyn and Alex.