Ex-Easter Island Head - Two Comissions For Cassette Tape FLAC
| Genre: |
Electronic / Jazz |
| Performer: |
Ex-Easter Island Head |
| Title: |
Two Comissions For Cassette Tape |
| Style: |
Modern Classical |
| Date of release: |
09 Dec 2014 |
| Label: |
Tombed Visions |
| Catalog Number: |
TV14 |
| Country: |
UK |
| FLAC album size: |
1563 mb |
| MP3 album size: |
2807 mb |
Tracklist
| 1 | A Curfew Tower for Bill Morrison 1: Antrim | 5:59 |
| 2 | Mercy Comission | 15:58 |
| 3 | A Curfew Tower for Bill Morrison 3: Cairn | 6:55 |
| 4 | A Curfew Tower for Bill Morrison 2: A Curfew Tower | 4:31 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|
| none | Ex-Easter Island Head | Two Comissions For Cassette Tape (4xFile, FLAC, Album) | Tombed Visions | none | 2014 |
Credits
- Design – Lewis Mclean
- Mastered By – Martin Kuchta
- Mixed By – James Rand
Notes
‘A Curfew Tower for Bill Morrison’ was commissioned by Static Gallery, Liverpool and was written and recorded across five days in The Curfew Tower, Cushendall; an 18th century tower functioning as an artists' residency in Antrim, Northern Ireland. Using a pair of microphones, two prepared guitars, cassette four track, percussion and the resonant properties of the stone walls, wooden floors and narrow passageways within the four-story structure’s architecture, the piece sees the duo of Benjamin D. Duvall and Patrick Morrison reflecting on the life of playwright, director, actor and mentor Bill Morrison (1940-2011). Part celebration, mourning and wake, the piece sees Bill's typewriter returned to Antrim the county of his birth and resting place of his ashes – and incorporated into a deeply personal ritual of sound and remembrance.
‘Mercy Commission’ was an evening length installation piece for three cassette tape loops and multiple speakers, commissioned by Mercy Arts/Literature agency as part of the Spectres of Spectacle event held at Static Gallery, Liverpool, 29 September 2011. The brief was to create “Half-erased, deliberately fogged works across lo-fi, spoken word, and the analogue/digital crossover”. The three loops each represent a fragment of a personal history: a lost mangled loop of voice and synthesiser unearthed, a prepared bass guitar inherited from a friend no longer with us, a hundred year-old harmonium threads of narrative cycling permanently in slow phase, combining and separating to produce a meaning just out of reach. The piece ran continuously for six hours with no processing, save for volume adjustments performed from a simple timeline based score and the changing timbral and dynamic effects caused by the movement of people through the gallery. Presented on this release in a significantly condensed form foregrounding the melodic, tonal qualities of the piece over its durational ones, Mercy Commission is Ex-Easter Island Head's first 'performerless' piece, with the mechanical certainty of the endlessly repeating loops taking the group's use of repetitive processes to their logical extreme.
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