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Led Zeppelin - Texas International Pop Festival FLAC

Genre: Rock
Performer: Led Zeppelin
Title: Texas International Pop Festival
Style: Blues Rock, Classic Rock
Date of release: 1991
Label: Oh Boy
Catalog Number: OH BOY 1-1969 TEX 1
Country: Luxembourg
FLAC album size: 1214 mb
MP3 album size: 1622 mb

Tracklist

1You Shook Me10:42
2Bye Bye Baby11:42
3Communication Breakdown4:40
4How Many More Times10:45
5Dazed And Confused14:59
6Sweet Baby2:59
7I Can't Quit You Baby6:49

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
WCP-910121Led Zeppelin Plays Pure Blues ‎(CD, Unofficial)Whoopy CatWCP-910121Italy1991
EVSD 208/209Led Zeppelin Ladies & Gentlemen ‎(2xCD, Unofficial)Empress Valley Supreme DiscEVSD 208/209Japan2013
RSC 100 CDLed Zeppelin You Shook Me ‎(CD, Album, P/Unofficial)Oil WellRSC 100 CDItaly1995
DP 674Led Zeppelin Electric Magic Over Dallas ‎(CD, Unofficial)Dinopower RecordsDP 6742002
TCD-88Led Zeppelin Eyes Big Crowd ‎(CD, Ltd, Promo, Unofficial)TaranturaTCD-88Japan2008

Credits

  • BassJohn Paul Jones
  • DrumsJohn Bonham
  • GuitarJimmy Page
  • Vocals, HarmonicaRobert Plant

Notes

Recorded Live in Dallas, Texas, Sunday, August 31, 1969
Title on CD: Don't Mess With Texas
Two different cover booklets were release by Oh Boy in 1991, one with a 2 page booklet and one later with a 24 page booklet. Both have the same catalog number.

Barcodes

  • Matrix / Runout: PILZ CD 1-1969 TEX 1 411
  • Rights Society: GEMA

Companies

  • Recorded At – Texas International Pop Festival

Video

Comments to album Led Zeppelin - Texas International Pop Festival
Keramar
I find this something of an odd CD. Although the show has been weirdly mixed with guitar and drums over to one side and vocals to the opposite, the fidelity is excellent. From the latter perspective this really is one of the better unofficial Led Zeppelin soundboards currently available.

The problem I have is with the performance. After a bit of a ramshackle start the show basically becomes 50 minutes of Jimmy Page soloing, with little in the way of the riffing or explosive chord work common to Page's playing during this period. Granted, this does mean Page gets to showcase a hell of a lot of blistering fingerwork. However, spanning the course of almost an hour it eventually becomes a very one-dimensional listening experience, revealing that Page (unlike contemporaries such as Clapton or Hendrix), lacked the ability to sustain extreme levels of extended soloing without reaching the point of sounding boringly repetative.

Unfortunately that negative aspect is strongly accentuated by virtue of Bonham and Jones being mixed more as a backing band than as integral elements of the sonic fabric. And Plant? With this performance he has a tendency to take advantage of the lack of group-focused jamming to exercise his spontaneous howling and wailing in a way some people may find excessive.

All of the members of Led Zeppelin are on stage, but somehow the group magic is missing.

This title often makes the upper ranges of Zeppelin bootleg top tens, but I can't help thinking that's often more down to the quality of the sound rather than the performance itself.
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