Linda Clifford - Let Me Be Your Woman FLAC

Linda Clifford Curtom Rso Disco 1979

Genre:	Soul - Funk
Performer:	Linda Clifford
Title:	Let Me Be Your Woman
Style:	Disco
Date of release:	1979
Label:	Curtom, RSO
Catalog Number:	RS-2-3902, 2658 130
Country:	US
FLAC album size:	1294 mb
MP3 album size:	1022 mb

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Tracklist

1	Don't Let Me Have Another Bad Dream Mixed By – Fred BreitbergPerformer [Rhythm Player] – Jimmy Rogers, Kraig McCreary, Nicholas Coconato, Richard RuttenbergWritten-By – L. Clifford, N. Coconato	3:54
2	Sweet Melodies Mixed By – Jimmy SimpsonWritten-By – J. Mendell	7:55
3	Hold Me Close Mixed By – Jim BurgessWritten-By – C. Mayfield	4:48
4	I Can't Let This Good Thing Get Away Mixed By – Fred BreitbergWritten-By – G. Askey	4:13
5	One Of Those Songs Mixed By – Jim BurgessWritten-By – G. Calvi, W. Holt	11:46
6	Let Me Be Your Woman Mixed By – Fred Breitberg, Roger AnfinsenWritten-By – E. Fournier	3:12
7	Don't Give It Up Mixed By – Roger AnfinsenWritten-By – G. Askey, L. Clifford	9:26
8	Bridge Over Troubled Water Mixed By – Jimmy SimpsonWritten-By – P. Simon	10:20

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
MWF 1063	Linda Clifford	Let Me Be Your Woman ‎(LP, Album)	RSO	MWF 1063	Japan	1979
2394 229	Linda Clifford	Let Me Be Your Woman ‎(LP, Album, Gat)	Polydor	2394 229	Netherlands	1979
MWF 1063	Linda Clifford	Let Me Be Your Woman ‎(LP, Promo)	RSO, Curtom	MWF 1063	Japan	1979
ST-2-3902	Linda Clifford	Let Me Be Your Woman ‎(8-Trk, Album)	RSO, Curtom	ST-2-3902	US	1979
RS-2-3902	Linda Clifford	Let Me Be Your Woman ‎(LP, Album)	Curtom, RSO	RS-2-3902	Portugal	1979

Credits

Art Direction – Glenn Ross
Backing Vocals – Jones Girls (Shirley, Brenda & Valerie)
Contractor – Len Druss, Sol Bobrov
Engineer – Fred Breitberg, Roger Anfinsen
Lacquer Cut By ["Jo.G" etched in run-outs] – John Golden
Performer [Rhythm Player] – Bobby Eli, Calvin Bridges, Chester Thompson, Dean Paul Gant, Eric Hackett, Keni Burke, William Ross Traut
Photography By [Cover] – Francesco Scavullo
Photography By [Inside] – Gary Heery
Producer, Arranged By – Gil Askey

Notes

Other version with different label printing here: Linda Clifford - Let Me Be Your Woman

Recorded at
- Curtom Studios, Chicago, Illinois

A2, A3, B1, B2 Mixed at
- Curtom Studios, Chicago, Illinois

C1 Mixed at
- Sigma Sound Studios, New York

B3, D1 Mixed at
- Sigma Sound Studios, New York

- CBS Studios, New York
(P)1979 Curtom Records Company Inc.

Barcodes

Matrix / Runout (Side A / etched [stamped]): RS-2-3902-AS-CT2 [D] 12 Jo.G [ᴋᴇɴᴅᴜɴ-ᴄ] T I
Matrix / Runout (Side B / etched [stamped]): RS-2-3902-BS-CT1 10 [B] Jo.G [ᴋᴇɴᴅᴜɴ-ᴅ] I T
Matrix / Runout (Side C / etched [stamped]): RS-2-3902-CS-CT2 [ᴋᴇɴᴅᴜɴ-ᴅ] Jo.G T I
Matrix / Runout (Side D / etched [stamped]): RS-2-3902-DS-CT1 Jo.G [ᴋᴇɴᴅᴜɴ-ᴅ] [D] 4 T I
Other (Individual no. LP 1): 2479 227
Other (Individual no. LP 2): 2479 228
Pressing Plant ID (Printed on labels): 73
Pressing Plant ID (Etched in run-outs): "CT" and "T"

Companies

Distributed By – RSO Records, Inc.
Manufactured By – RSO Records, Inc.
Phonographic Copyright (p) – Curtom Record Company, Inc.
Pressed By – Columbia Records Pressing Plant, Terre Haute
Recorded At – Curtom Studios
Mixed At – Curtom Studios
Mixed At – Sigma Sound Studios, New York
Mixed At – CBS Studios, New York
Mastered At – Kendun Studio D

Xig

Linda Clifford was an excellent Southern soul shouter of the first order, but this Lp came during the height of the Disco era. Therefore, it has a split personality: Disc 1 alternates between high-BPM dance tunes and down-home Soul cuts. Now, I'm no Disco hater, but the Soul tracks here are so much better, so head-and-shoulders above the Disco tracks, that there's really no comparison. (For an excellent example of her work in a soulful vein, see her debut Lp, Linda Clifford - Linda.) But even the Disco cuts on Disc 1 aren't bad, redeemed by the Soul cuts interspersed. What really sinks the album, though, is the presence of Disc 2, which is just a 12" single, with extended Disco mixes of a single song on each side. And what songs they are: a hopped up version of "Bridge Over Troubled Water" that makes any sane man rap his forehead and ask "why?", and, worst of all, a reworking of the hoary old Broadway popper "One Of Those Songs", a cut you instantly regret hearing. So if you must have this, stick to the Lp and never touch the 12", and you'll be OK.