Masta Ace Incorporated - Sittin' On Chrome FLAC

Masta Ace Incorporated Delicious Vinyl 2002

Genre:	Rap - Hip hop
Performer:	Masta Ace Incorporated
Title:	Sittin' On Chrome
Date of release:	2002
Label:	Delicious Vinyl
Catalog Number:	DV67691
Country:	US
FLAC album size:	2843 mb
MP3 album size:	1668 mb

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Tracklist

1	Eastbound Producer – Ase OneWritten-By – D.Clear, R.Ellis	4:30
2	What's Going On! Co-producer – Ase OneProducer – The Bluez BruthasWritten-By – D.Clear, N.Glover, R.Ellis	4:51
3	Ain't No Game Producer – Ase OneWritten-By – D.Clear, P.Perry, R.Ellis	4:36
4	Da Answer Producer – Ase OneWritten-By – D.Clear	4:56
5	Terror Producer – Ase OneWritten-By – D.Hall, J.Oates, D.Clear	4:35
6	The Phat Kat Ride Producer – Luis VegaWritten-By – D.Clear	4:06
7	Sittin' On Chrome Producer – Ase OneWritten-By – D.Clear	4:06
8	Turn It Up Co-producer – The Bluez BruthasProducer – Ase OneWritten-By – D.Clear, R.Ayers, S. Boatwright	4:22
9	People In My Hood Producer – Uneek Written-By – D.Clear, S.McFadden	4:21
10	4 Da Mind Featuring – The Cella DwellasProducer – Ase OneWritten-By – A.Outlaw, C.Gerald, D.Clear, R.Ellis	4:45
11	The B-Side Producer – Ase OneWritten-By – D.Clear, N.Glover, R.Ellis	4:07
12	Born To Roll Producer – Ase OneWritten-By – A.Brown, D.Clear, E.McIntosh, T.J.Kelsie	4:14
13	Freestyle ? Producer – The Bluez BruthasWritten-By – D.Clear, N.Glover, R.Ellis	3:28
14	Intro Producer – The Bluez BruthasWritten-By – D.Clear, N.Glover, R.Ellis	3:54
15	U Can't Find Me Producer – Ase OneWritten-By – C.Smith, D.Thomas, D.Clear, G.Brown, R.Ellis, R.West, R.Bell, R.Mickens	4:12
16	The I.N.C. Ride Producer – Luis VegaRemix – Ase OneWritten-By – C.Jasper, D.Clear, E.Isley, Luis Vega, M.Isley, N.Glover, O.Isley, R.Isley, R.Isley	4:10

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
CDP 7243 8 32873 2 1	Masta Ace Incorporated	Sittin' On Chrome ‎(CD, Album)	Delicious Vinyl	CDP 7243 8 32873 2 1	US	1995
CDP 7243 8 32873 2 1	Masta Ace Incorporated	Sittin' On Chrome ‎(CD, Album, Club)	Delicious Vinyl	CDP 7243 8 32873 2 1	US	1995
DV 67691	Masta Ace Incorporated	Sittin' On Chrome ‎(2xLP, Album, RE, Cle)	Delicious Vinyl	DV 67691	US	2004
C2 7243 8 32873 2 1	Masta Ace Incorporated	Sittin' On Chrome ‎(CD, Album)	Delicious Vinyl, Capitol Records, EMI Music Canada	C2 7243 8 32873 2 1	Canada	1995
C1 7243 8 32873 1 4	Masta Ace Incorporated	Sittin' On Chrome ‎(2xLP, Album, Gat)	Delicious Vinyl, Capitol Records	C1 7243 8 32873 1 4	US	1995

Credits

A&R [Coordinator] – Daz
Art Direction – Truly Rain
Design – Studio SEE
Executive-Producer – Orlando Aguillen
Illustration [Cover] – Kid Style
Management – Jonathan Pollack
Mastered By – Brian Gardner, Tony Dawsey
Mixed By – Ase One, Lord Digga
Mixed By [With] – James Mansfield
Photography By – B+
Recorded By – Blaise Dupuy, Ethan Ryman, Frantz Verna

Notes

Executive produced for Manteca Productions.

Produced for Umdada Entertainment except:
Track A2 & D4 produced for Phat Kat Productions
Track A4 co-produced for Umdada Entertainment
Track B3 produced for Eyceurokk Productions

Recorded at Firehouse Studio, N.Y.
Mixed at Hollywood Sound, L.A.
Mastered at Masterdisk, NY and at Bernie Grundman Mastering, L.A.

Cella Dwellas appear courtesy of Loud Records

Published by Damasta Music/Varry White Music (ASCAP)

Management for P-Dawg Mgmt.

"The I.N.C. Ride (Radio Remix)" contains a sample from "For The Love Of You" (E.Isley/M.Isley/R.Isley/O.Isley/R.Isley/C.Jasper) Bovina Music (Administered by EMI-April Music, Inc.) (ASCAP), as recorded by The Isley Brothers, under license from Sony Music Entertainment.
"Turn It Up" contains a sample from "Everybody Loves The Sunshine" (R.Ayers) Roy Ayers Ubiquity, Inc. (Administered by W.B. Music Corp.) (ASCAP), as recorded by Roy Ayers, under license from PolyGram Special Markets.
"U Can't Find Me" contains a sample from "You Don't Have To Change" (R.Mickens/C.Smith/D.Thomas/R.West/G.Brown/R.Bell) Second Decade Music (Administered by Warner-Tamerlane Publishing) (BMI) as recorded by Kool & The Gang, under license from PolyGram Special Markets.
"Ain't No Game" contains a sample from "Neo Terra (New Land)" Hubtone Music Co. (BMI). Under license from Sony Music Entertainment.
"Terror" contains a sample from "Sara Smile" (D.Hall/J.Oates) Unichappell Music, Inc. (BMI) as recorded by Eric Gale, under license from Sony Music Entertainment.
"Born To Roll" contains a sample from "Knowledge" (A.Brown/E.McIntosh/T.Kelsie) Def Jam Music, Inc. (ASCAP), as recorded by Original Concept, under license from Def Jam Records, Inc.

"This album is dedicated to the memory of Harry Fobbs"

℗ & © 1995 Delicious Vinyl, LLC.
Manufactured and Distributed by Traffic Entertainment Group
Made in the USA

Released in gatefold sleeve.
Unlike the Original pressing the album title is written without outlines on front cover.

Barcodes

Barcode: 8 29357 67691 7
Matrix / Runout (Side A, etched): DV 67691 A
Matrix / Runout (Side B, etched): DV 67691 B
Matrix / Runout (Side C, etched): DV 67691 C
Matrix / Runout (Side D, etched): DV 67691 D

Companies

Manufactured By – Traffic Entertainment Group
Distributed By – Traffic Entertainment Group
Phonographic Copyright (p) – Delicious Vinyl, LLC
Copyright (c) – Delicious Vinyl, LLC
Published By – Damasta Music
Published By – Varry White Music
Published By – Bovina Music, Inc.
Published By – EMI April Music Inc.
Published By – Roy Ayers Ubiquity
Published By – WB Music Corp.
Published By – Second Decade Music
Published By – Warner-Tamerlane Publishing Corp.
Published By – Unichappell Music, Inc.
Published By – Def Jam Music, Inc.
Recorded At – Firehouse Studio, NYC
Mixed At – Hollywood Sound Recorders
Mastered At – Masterdisk
Mastered At – Bernie Grundman Mastering

Video

Grarana

Almost all of the productions here top class and Masta Ace's rhymes sharp and precise.

Interesting to consider that "Born to Roll" was effectively a remix seemingly intended for a larger audiences from the single off SlaughtaHouse, "Jeep Ass Niguh." The video for the song was constantly played on the music video pay-per-view station The Box, when it was a huge proponent of hyper-sexualized music videos that promoted hip-hop to new audiences, before the influence of the internet, usually playing songs from West Coast and Southern artists. The production had a distinctly East Coast version of G-Funk sounds that blew them up. Yet, despite, "Sittin' On Chome" being a similar sounding track, it never really seemed to take off the same way with mainstream radio. By 1994 Wu-Tang, Nas, Biggie and Mobb Deep were starting to come up on East Coast radio, and distinction between East and West coast hip-hop was becoming almost expected.

Surprisingly to some perhaps is that the rest of the album takes the "bass" sound and then connects to the group's underground East Coast roots. But we are made aware of where we are coming from with "Eastbound" while still giving us serious bass, and raw thumping drums. An appearance by insane underground lyricists The Cella Dwellas tells us something about the direction as can also be seen with "Da Answer" and it's rolling baseline. However, with "Da Terror" and the magnificent "U Can't Find Me" we hear this connection between the bass sound and deep, emotive yet cerebral, filtered East Coast sounding samples. Yes, "Turn It Up" resorts to an overused sample, but does what it needs to with the nice RnB vocal. Who cares? "The Phat Kat Ride" hits us with more proper 90s D.I.T.C.-like sounds that are too effective. This is legit hip-hop.

Gavinranara

Does anyone know how to differentiate this between the 2010 repress http://www.discogs.com/Masta-Ace-Incorporated-Sittin-On-Chrome/release/2372522 ? Thank you.

Vispel

Black vinyl re-issue of the 1995 album. Was re-issued (bootleged) on clear vinyl with the same cat# a couple of years later. The backcover says 1995 but it was reprinted in 2002. There're couple of obvious differencies to the 1st pressing. The black background is darker and the title "Sittin' On Chrome" is just in sand colour without outlines as on the first pressing. Besides of that the labelstickers on Side-A & Side-C are with black background while the 1st pressings have them all in sand colour.