Neworder - Technique FLAC

Neworder Factory Alternative Rock Synth Pop 1989

Genre:	Electronic / Rock
Performer:	Neworder
Title:	Technique
Style:	Alternative Rock, Synth-pop
Date of release:	Jan 1989
Label:	Factory
Catalog Number:	Fact275
Country:	UK
FLAC album size:	2339 mb
MP3 album size:	1310 mb

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Tracklist

1	Fine Time
2	Vanishing Point
3	All The Way
4	Run
5	Round & Round
6	Guilty Partner
7	Mr. Disco
8	Dream Attack
9	Love Less

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
Fact275	Neworder	Technique ‎(LP, Album, Lyn)	Factory	Fact275	UK	1989
520 011-1, 29386	Neworder	Technique ‎(LP, Album)	London Records, Polygram	520 011-1, 29386	Argentina	1992
520 011-4, 520-011-4, 69386, 69-386	Neworder	Technique ‎(Cass, Album, RE)	London Records, London Records, Polygram, Polygram	520 011-4, 520-011-4, 69386, 69-386	Argentina	1992
FACD 275.2, RTDCD 100	Neworder	Technique ‎(CD, Album)	Factory, Rough Trade	FACD 275.2, RTDCD 100	Benelux	1989
EX 220	New Order	Technique ‎(Cass, Album, Unofficial)	Exton	EX 220	Poland	Unknown

Category	Artist	Title (Format)	Label	Category	Country	Year
520 011-1, 29386	Neworder	Technique ‎(LP, Album)	London Records, Polygram	520 011-1, 29386	Argentina	1992
520 011-4, 520-011-4, 69386, 69-386	Neworder	Technique ‎(Cass, Album, RE)	London Records, London Records, Polygram, Polygram	520 011-4, 520-011-4, 69386, 69-386	Argentina	1992
FACD 275.2, RTDCD 100	Neworder	Technique ‎(CD, Album)	Factory, Rough Trade	FACD 275.2, RTDCD 100	Benelux	1989
EX 220	New Order	Technique ‎(Cass, Album, Unofficial)	Exton	EX 220	Poland	Unknown
YX-7448	Neworder	Technique ‎(LP, Album)	Factory	YX-7448	Japan	1989

Credits

Mastered By – Å
Mixed By – Alan Meyerson
Mixed By [Assistant, Box] – Aaron Denson, Richard Chappell, Richard Evans
Producer, Written-By – New Order
Recorded By – Michael Johnson

Cover – Peter Saville Associates, Trevor Key
Mixed By – Alan Meyerson
Mixed By [Assistant, Box] – Aaron Denson, Richard Chappell, Richard Evans
Recorded By – Michael Johnson
Written-By, Producer – New Order

Cover – Peter Saville Associates, Trevor Key
Engineer [Assistant Engineer] – Aaron Denson, Richard Chappell, Richard Evans
Mixed By – Alan Meyerson
Recorded By – Michael Johnson
Written-By, Producer – New Order

Notes

Published by Bemusic / Warner Brothers Music
Released by Factory Records Australasia under licence from Factory Records Manchester England

A Factory Record
℗ 1989 Factory Communications Ltd.
© 1989 Factory Communications Ltd.

Some editions came with printed catalogue on blue A4 sized paper (titled 'THE CATALOGUE'), listing all Factory Australasia, Volition Austalia and Volition Acquisitions (Nettwerk/Mute) releases up till this album by New Order (see attached images).Recorded at Mediterranean Studios, Ibiza & Real World Studios, Box.
Mixed at Real World Studios.
Licensed from Factory Records, Manchester, England for the United States by Qwest Records.
Manufactured and distributed by Warner Bros. Records, Inc., a Warner Communications Company
Mfg. by PDO
Made in USA.
℗ 1989 Qwest Records
© 1989 Qwest Records
Manufactured by Columbia House under license.Recorded at Mediterranean Studios, Ibiza and Real World Studios, Box. Mixed at Real World Studios, Box.
A Factory Record
Published by Bemusic / Warner Brothers Music
℗ 1989 Factory Communications Ltd.
© 1989 Factory Communications Ltd.

Comes with printed inner sleeve.

There are several marketing items along the album release, incl. an A5 sticker in NME ("Press Technique"), billboards ("Advertising Technique"), a TV ad, a set of four A4 paper sheets in green, white, red, yellow ("Campaign Technique"), and a set of two posters advertising the different media formats.

Barcodes

Barcode: 0 7599-25845-2 4
Matrix / Runout (Variant 1): 25845-2 01!
Matrix / Runout (Variant 2): 25845-2 01! N MADE IN USA BY PDO

Barcode: 9 399746 344419
Matrix / Runout (Runout Side A): 463444.1.1 MX 251 573.B Å
Matrix / Runout (Runout Side B): 463444.1.2 MX 251 574 Å

Barcode (Scanned): 5016839302753
Barcode (Printed): 5 016839 302753
Matrix / Runout (Runout side A): FACT-275-A1 ɑ Δ 23378 L22369 1-1 G
Matrix / Runout (Runout side B): FACT-275-B ɑ Δ 23378-X L22370 1-1 3
Matrix / Runout (Label side A): Fact275-1
Matrix / Runout (Label side B): Fact275-2
Matrix / Runout (Runout side A - hand etched): WHAT EXACTLY DO YOU MEAN, PETER?
Matrix / Runout (Runout side B - hand etched): ?RETEP ,NAEM UOY OD YLTCAXE TAHW

Companies

Recorded At – Mediterranean Studios
Recorded At – Real World Studios
Mixed At – Real World Studios
Published By – Be Music
Published By – Warner Bros. Music
Phonographic Copyright (p) – Factory Communications Ltd.
Copyright (c) – Factory Communications Ltd.
Mastered At – Sheffield Lab Matrix – △ 23378
Mastered At – Allied Record Company
Pressed By – Lyntone Recordings Ltd. – L22369
Pressed By – Lyntone Recordings Ltd. – L22370

Published By – Be Music
Published By – Warner Bros. Music
Licensed From – Factory Records
Manufactured By – CBS Records Australia Limited
Distributed By – CBS Records Australia Limited
Phonographic Copyright (p) – Factory Communications Ltd.
Copyright (c) – Factory Communications Ltd.

Phonographic Copyright (p) – Qwest Records
Copyright (c) – Qwest Records
Licensed From – Factory Records
Licensed To – Qwest Records
Recorded At – Mediterranean Studios
Recorded At – Real World Studios
Mixed At – Real World Studios
Distributed By – Warner Bros. Records Inc.
Manufactured By – Warner Bros. Records Inc.
Manufactured By – PDO, USA
Manufactured By – Columbia House

Video

Global Progression

maybe their best album

a mix up of dance and alternative rock music

the opener is a dance acid song while the next song is alternative rock and more

Ustamya

One of those albums i listen to regularly since i first bought the cassette in the early 90's. My favourite and imho their best LP, every track is SUBLIME. People/Charts always prefer Low-life and i will never know why... New Order at their peak.

Very Old Chap

Reading all the reviews and comments [lol Crijevo - memento notebooks were then popular in my part of Europe, too] I come to think I was lucky I got to know that album as a 12-year-old. From a distance of 25 years I can see it as some milestone that made me open to electronic experiments in rock music [e.g. King Crimson after THRAK] and vice versa. And as a teenager you're so influential that most likely the albums you get to like/love then - you'll cherish for the rest of your life. I could go on and on about how great it seems for blending rock and electronic....but that's been done to death. It's a classic album, perfect album. It is looking back as far as Joy Division [you can hear that in each snare drum hit] and looking to the future with no fear. Few bands these days would risk as eclectic album as this one. As "Dream Attack" fades to end I'm always ready to hear late radio host Tomasz Beksinski say the line from my tape recording of Technique broadcasted on public radio back then: "well, ladies and gentlemen, simultaneous listening with you does wonders..." - meaning that even a classic rock fan like him could find something to enjoy in a cross-genre album like this.

Karon

It sure is a bitch getting the record back into the sleeve. That plastic is damn unruly!

Frlas

Despite being produced only after the 'Substance''s blockbusters releases like "Ceremony" (1981), "Blue Monday" and "Confusion" (1983), "Thieves Like Us" (1984), "Perfect Kiss" (1985) or "Bizarre Love Triangle" (1986), the top-quality LP "Technique" was still considered one of New Order's greatests albums; made from 1988 to 1989, it also reflected the Summer of Love era and the European Electronic scene's explosion.
Rather Electronic than Rock & Roll influenced, "Technique" had great synthetic-acoustic arrangement combination, from of Stephen Morris’ drums to Gillian Gilbert's keyboards and most obviously by Peter Hook’s bass lines.
Chosen by a PR company to be New Order's first single from the album 'Technique', "Vanishing Point"'s choice got a veto from the band after they dismissed their Public Relations, and the first single released was "Fine Time", recorded in Ibiza and mixed at Peter Gabriel's Real Life Studios (the final mix was done by Alan Meyerson).
Acclaimed by a massive part of supporters, "Vanishing Point" became the theme for BBC1 TV series 'Making Out', which catapulted the song to even broader audiences. Another of "Technique"'s hits was "Round & Round" which got a 12 inch single release through several labels and became a club hit.
The ensemble of the album deserves your listening, I guarantee.