Nine Inch Nails - Year Zero FLAC

Nine Inch Nails Interscope Records Industrial Synth Pop 2007

Genre:	Electronic / Rock
Performer:	Nine Inch Nails
Title:	Year Zero
Style:	Industrial, Synth-pop
Date of release:	17 Apr 2007
Label:	Interscope Records
Catalog Number:	B0008764-02
Country:	US
FLAC album size:	1519 mb
MP3 album size:	2297 mb

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Tracklist

1	The Great Destroyer	3:17
2	Hyperpower! Drums – Josh FreeseEngineer [Assistant] – Steve Genewick	1:42
3	My Violent Heart	4:13
4	Zero-Sum	6:14
5	Me, I'm Not Backing Vocals – Saul Williams	4:51
6	Capital G Arranged By [Brass / Winds Musical Arrangement] – Jeff "Double G" GallegosBaritone Saxophone – Geoff "Double G" GallegosDrums – Josh FreeseEngineer [Assistant] – Steve GenewickTenor Saxophone – Matt DemerittTrombone – Elizabeth LeaTrumpet – William Artope	3:50
7	The Greater Good	4:51
8	God Given	3:50
9	Survivalism Backing Vocals – Saul Williams	4:23
10	Another Version Of The Truth	4:09
11	In This Twilight	3:33
12	The Warning	3:38
13	The Good Soldier	3:23
14	Meet Your Master	4:08
15	The Beginning Of The End	2:47
16	Vessel	4:52

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
0602517324237	Nine Inch Nails	Year Zero ‎(CD, Album, Dig)	Interscope Records	0602517324237	Europe	2007
0602517324237	Nine Inch Nails	Year Zero ‎(CD, Album, RE, Dig)	Interscope Records	0602517324237	Europe	Unknown
0602517324237	Nine Inch Nails	Year Zero ‎(CD, Album, Dig)	Interscope Records	0602517324237	Taiwan	2007
B0008764-02	Nine Inch Nails	Year Zero ‎(CD, Album, RE, Dig)	Interscope Records	B0008764-02	US	Unknown
0602517324237	Nine Inch Nails	Year Zero ‎(CD, Album, Unofficial, Jew)	Interscope Records	0602517324237	Russia	2007

Credits

Art Direction – Rob Sheridan , Trent Reznor
Artwork [" The Hand Of Faith", " The Hand Of Desperation"] – Rob Sheridan
Artwork [" The Presence", " The Great Divide", " The Scorched Earth" By Hydraulx Artist:] – Matthew Santoro
Artwork [" The Presence", " The Great Divide", " The Scorched Earth" By] – Hydraulx
Booking – William Morris Agency
Coordinator – Brett Bachemin
Design [World Building] – Rob Sheridan , Trent Reznor
Design [World Integration And Enhancement] – 42, Alex Lieu, Elan Lee, Johnny Rodriguez , Jordan Weisman, Sean Stewart , Susan Bonds
Engineer – Alan Mason, Alan Moulder, Atticus Ross, Brett Bachemin, Doug Trantow, Trent Reznor
Legal – David Altschul, Zia Modabber
Management – Rebel Waltz, Inc
Management [Assistance] – Shaynee Lee Gordy
Management [Business Management] – Gelfand, Rennert & Feldman
Management [Sounding Board] – Marc Geiger
Mastered By – Brian Gardner
Mixed By – Alan Moulder
Other [Hair And Makeup] – Cori Bardo
Other [Stylist] – Amy Hall
Producer – Atticus Ross, Trent Reznor
Written-By, Performer – Trent Reznor

Notes

Correct printing with year zero text on disc. Not to be confused with the miss-print edition which is missing the year zero text on the disc which is the only difference between the two.

Digipak with 24 page booklet.
The CD face is thermo-chrome heat-sensitive CD face. Appearing mostly black (except for the title), when heated the disc turns mostly white, hiding the title and revealing lines, blocks, the copyright notice and a series of zeros and ones.

halo 24
Recorded all over the world. "Hyperpower!" drums and "Capital G" drums/brass/winds recorded at Capitol Studios in Holywood, CA.
Manufactured and distributed in the United States by Universal Music Distribution.

Barcodes

Barcode: 602517301566
Barcode (Text): 6 02517 30156 6
Rights Society: ascap
Matrix / Runout (Mould Text): MADE IN USA BY EDC
Matrix / Runout (Variant 1): B00 087 6402 01$
Mastering SID Code (Variant 1): IFPI L009
Mould SID Code (Variant 1): IFPI 0363
Matrix / Runout (Variant 2): B00 087 6402 01$
Mastering SID Code (Variant 2): IFPI L009
Mould SID Code (Variant 2): IFPI 0373
Matrix / Runout (Variant 3): [EDC logo] B00 087 6402 01$ A
Mastering SID Code (Variant 3): IFPI L009
Mould SID Code (Variant 3): IFPI 0381
Matrix / Runout (Variant 4): [EDC logo] B00 087 6402 01$ N
Mastering SID Code (Variant 4): IFPI L009
Mould SID Code (Variant 4): IFPI 0370
Matrix / Runout (Variant 7): [EDC logo] B00 087 6402 01$ O
Mastering SID Code (Variant 7): IFPI L009
Mould SID Code (Variant 7): IFPI 0395
Matrix / Runout (Variant 8): [EDC logo] B00 087 6402 01$ AD
Mastering SID Code (Variant 8): IFPI L009
Mould SID Code (Variant 8): IFPI 0312

Companies

Phonographic Copyright (p) – Interscope Records
Copyright (c) – Interscope Records
Manufactured By – Universal Music Distribution
Distributed By – Universal Music Distribution
Recorded At – Capitol Studios
Mixed At – Chalice Recording Studios
Mastered At – Bernie Grundman Mastering
Copyright (c) – Leaving Hope Music
Copyright (c) – TVT Music, Inc.
Published By – Leaving Hope Music, Inc.
Made By – EDC, USA

Video

Gold Crown

Soundwise -> Brilliant --in all aspects of the word [from Engineering to the Musicianship} and NIN pretty much stayed away from the Doom and Gloom Goth Vocals but kept the sSpirit of Doom and Gloom Goth Lyrics Pretty MUch Electronica/Goth/Industrial....Much in Vain With the Styles of Sound/Music from "GHOSTS I-IV and "WITH TEETH".

Maridor

Something must be out of alignment cosmically, we have a new NIN album in under five years. This is an unprecedented period of creativity for Trent Reznor; I really question the wisdom of such productivity as a lot of these new tracks sound pretty unfinished. I'm all for rough and ready tunes but they are better served if they've been fleshed out at least a little bit. "Year Zero" sounds very rushed. A continuation of "With Teeth" yet without the focused attention to detail which compelled me to buy the damn thing as soon as I could. There is no straight to the jugular follow-up to "The Hand That Feeds" unfortunately.

It's been noted by Mr. Reznor that this album began as a series of laptop sketches and I'll say that some of them work very well: "Vessel", "My Violent Heart" and the lovely "In This Twilight" are the first ones which come to mind. Yet, for all the feedback and screaming, "Year Zero" loses momentum several times throughout its sixty plus minute run. Where are the epic instrumentals that made me love "The Fragile" so much? For the most part, "Year Zero" is comprised of under five minute tracks that certainly are intended to flow together but in the final analysis sound disjointed and desperately unconventional.

"Survivalism", the lead single has all the classic touches IE: choppy synths, heavily processed guitar bits and breathy almost spoken vocals, but I'm sorry Trent, I've heard you do this sort of thing several times before. "Me, I'm Not" contains minimal instrumentation, narcissistic lyrics and the typical breakdown chorus we've been accustomed to since the chart-topping live favorite "Closer" way way back in 1994.

The more I listen to this thing, the more it becomes apparent that NIN are in serious danger of becoming a parody of themselves. I cannot take this album seriously no matter how hard I try and the whole story-line concept leaves me cold. Why oh why did Reznor not spend more time honing this album? Given another year or two in the studio, "Year Zero" could have slowly developed into a magnificent piece of work but it appears he's more interested in keeping the NIN name in the public eye rather than offering up something of true vision. Of course, the die-hard fan won't give a damn about any of this, which is the true tragedy of it all.