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Pandit Shiv Kumar Sharma / Pandit Hari Prasad Chaurasia - Rasdhara FLAC

Genre: World - Folk
Performer: Pandit Shiv Kumar Sharma / Pandit Hari Prasad Chaurasia
Title: Rasdhara
Style: Indian Classical, Hindustani
Date of release: 1999
Label: Navras
Catalog Number: NRCD 0114/5
Country: UK
FLAC album size: 1133 mb
MP3 album size: 1509 mb

Tracklist

1Raga Kirwani(59:53)
2Part Three
3Part Three
4Part One
5Raga Jhinjholi(64:29)
6Part Four
7Part Two

Credits

  • DesignVipul Sangoi
  • FlutePandit Hari Prasad Chaurasia
  • Liner NotesKen Hunt
  • Pakhavaj [Pakhawaj]Pt. Bhawani Shankar (tracks: 1-1 to 1-4)
  • Photography ByMr. Daboo Ratnani, Jagdeep Shah
  • SantoorPandit Shiv Kumar Sharma
  • TablaUstad Shafaat Ahmed Khan (tracks: 2-1 to 2-3)
  • Tambura [Tanpura]Kiranpal Singh, Rahul Sharma

Notes

Live recording of the 28 October 1997 concert at The Royal Festival Hall, London

The raga sections are not listed on the packaging

Barcodes

  • Barcode (Text): 7 60452 01142 8
  • Barcode (Scanned): 760452011428
  • SPARS Code: DDD
  • Matrix / Runout (CD One): NRCD0114 CD Systems UK 02742
  • Matrix / Runout (CD Two): NRCD0115 NAVRAS 10116 www.vdcgroup.com
  • Mastering SID Code (CD Two): IFPI LD12

Companies

  • Phonographic Copyright (p) – Navras Records Ltd.
  • Copyright (c) – Navras Records Ltd.
  • Record Company – Navras Records Ltd.
  • Recorded At – Royal Festival Hall
  • Mixed At – Versatile, Northampton
  • Made By – CD Systems
  • Made By – www.VDCGroup.com

Comments to album Pandit Shiv Kumar Sharma / Pandit Hari Prasad Chaurasia - Rasdhara
Ndlaitha
The flute maestro Hariprasad Chaurasia and the santoor champion Shivkumar Sharma first collaborated on record with the epochal--no idle exaggeration--Call Of The Valley in 1967. Spurning decades of entreaties, they first duetted live in 1996. Recorded in London in 1997, Rasdhara preserves their foreign jugalbandi debut. It consists of two performances lasting around an hour each. The dynamics and dynamic range of the soft-voiced santoor and the breathiness of flute work gloriously well. Developing themes, passing phrases back and forward, adding new melodic twists or variations, they egg each other on. Their instrumental reading is based on a text on separation from a woman's perspective in the romantic thumri style. The choice of pakhawaj (a barrel drum played with the hands)--played here by Bhawani Shankar--for rhythmic accompaniment is inspired for it conjures a bygone age of royal courts and the courtesans who would sing such thumri lyrics. The second raga, "Kirwani", with Shafaat Ahmed Khan's tabla, is a borrowing from the South (purloined in Northern repertoires since the 1960s). Given the astounding chemistry it may sound churlish yet brilliant though their "Kirwani" is, "Jhinjhoti" is the one likely to be superglued in the CD player. --Ken Hunt (sleevenote)
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