QUARTERBACKS - Quarterboy FLAC
| Genre: |
Rock / Pop |
| Performer: |
QUARTERBACKS |
| Title: |
Quarterboy |
| Style: |
Indie Rock, Lo-Fi |
| Date of release: |
13 Apr 2018 |
| Label: |
Team Love Records |
| Catalog Number: |
TL113 |
| Country: |
USA & Canada |
| FLAC album size: |
1153 mb |
| MP3 album size: |
1776 mb |
Tracklist
| 1 | Sportscenter | 1:07 |
| 2 | Prove Me Wrong | 1:35 |
| 3 | Dissection | 1:04 |
| 4 | Back To Back | 1:15 |
| 5 | The Dogs | 1:02 |
| 6 | Pool | 1:41 |
| 7 | Center | 1:39 |
| 8 | Rain DelayGuitar [uncredited] – David Grimaldi | 1:00 |
| 9 | Weekend | 1:40 |
| 10 | Knicks | 0:57 |
| 11 | Words And Smiles (Tiger Trap)Written-By – Rose Melberg | 1:40 |
| 12 | Not In Luv | 1:13 |
Versions
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|
| DDW020 | QUARTERBACKS | Quarterboy (Cass, Album) | DOUBLE DOUBLE WHAMMY | DDW020 | USA & Canada | 2014 |
Credits
- Engineer [additional engineering] [uncredited] – Chris Daly
- Photography By [cover] [uncredited] – Andrew Lyman
- Photography By [insert] [uncredited] – Allyssa Yohana
- Recorded By, Performer, Written By – Dean Engle
Notes
ORIGINALLY RELEASED BY DOUBLE DOUBLE WHAMMY
TEAM LOVE RECORDS RE-RELEASE
DEAN ENGLE
RECORDED
"QUARTERBOY"
APRIL 2013 TO
FEBRUARY 2014
ON A TASCAM MF-P01
Same Songs on both sides.
Credits derived from Quarterbacks Bandcamp page.
From the Team Love Records Homepage:
“Quarterboy” was recorded from April 2013 to February 2014 on a Tascam MF-P01 four track cassette recorder in my studio apartment on the backside of 9 North Chestnut in New Paltz, NY. Most of the tracks were initially recorded for one-off compilations and a subscription “cassette club” project organized by my friend Dave Benton. The songs were written slowly and sporadically over a five-year period. My life was very local. I was in graduate school at SUNY New Paltz studying literacy. I worked as a substitute teacher at my old high school in Poughkeepsie and at a record store directly across the street from my house. My apartment did not have internet and I spent most evenings listening to tapes, calling friends on the phone, or playing the same handful of open chords on an unamplified Squier Tele. When I managed to record a song I would take my laptop across the street, sit on the stairs outside of the record store, e-mail the song to a few friends, snap the laptop closed, and head back to my cave. The songs dramatically romanticize my boring routine. Most of my life had not yet happened and the coming years would offer many humbling counterexamples to my lyrics’ neat statements. But at the time it felt like I had my small world figured out, and occasionally pausing Rose Melberg’s records to tell my tape machine about it seemed like a normal hobby. Even though I teach middle school now and play guitar maybe once a month, this album still sort of follows me. The past few Octobers, a student inevitably finds a video of me singing and I spend the next 48 hours confirming that I was definitely not famous and definitely used to wear a leaf on my head every day. This year, long after the student consciousness had moved on to other concerns, a sixth grader mentioned she had finally seen a video of me playing. I asked what she thought and she paused, considering. “You were the same but different,” she said. “It was you but softer.”
Companies
- Engineered At – Salvation Recording Co.