SCH - White Music - 2 Ways 2 German Art & Work Discipline FLAC

Sch Croatia Slušaj Najglasnije Noise Experimental Industrial 1992

Genre:	Rock
Performer:	SCH
Title:	White Music - 2 Ways 2 German Art & Work Discipline
Style:	Noise, Experimental, Industrial
Date of release:	1992
Label:	Slušaj Najglasnije!
Country:	Croatia
FLAC album size:	1032 mb
MP3 album size:	1317 mb

Download FLAC Download MP3

Tracklist

1	O - Deutche	6:06
2	End	19:48
3	Straight 2 Discipline	9:03
4	Our Song	6:10
5	Smjena (Change)	7:19

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
none	SCH	White Music - 2 Ways 2 German Art & Work Discipline ‎(Cass, Album, Xer)	Slušaj Najglasnije!	none	Croatia	1992
none	SCH	White Music - 2 Ways 2 German Art & Work Discipline ‎(CDr, Album, RE, RM)	Slušaj Najglasnije!	none	Croatia	2003
none	SCH	White Music - 2Ways2GermanArt&WorkDiscipline ‎(CDr, Album)	Slušaj Najglasnije!	none	Croatia	Unknown
002	SCH	White Music (2 Ways 2 German Art And Work Discipline) ‎(Cass, Album)	Black & White Tapes	002	Bosnia & Herzegovina	1992
none	SCH	White Music - 2 Ways 2 German Art & Work Discipline ‎(CDr, Album)	Slušaj Najglasnije!	none	Croatia	Unknown

Credits

Drums [Uncredited] – Samir Bjelanović
Music By, Lyrics By, Guitar [Uncredited], Bass [Uncredited], Synth [Uncredited], Vocals [Uncredited], Noises [Uncredited] – Hadžimusić Senad-Teno

Notes

Also exist with xeroxed cover.

Barinirm

from SCH official website:
"Although released in 1992, White Music actually came into being during 1990. Sonically, the album depicts what may be best described as the emotive states of those certain living material forms that had survived the total (nuclear) war.
The record is a logical progression and culmination of the sound and "trip" initiated on the SCH tape, and further developed on During Wartime. White Music brings to a close an important phase in the band's life. Following White Music, SCH will shun the theme of war. As ever, the band was a step ahead of the times and there was no need to hang around in "explored" territories. These, the band would leave behind for others, those who watched the band with blank expressions at the time when all this was current and "real" for us."