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Tango & Dom - Double Vision FLAC

Genre: Electronic
Performer: Tango & Dom
Title: Double Vision
Style: Breakbeat, Hardcore
Date of release: 1992
Label: Double Vision
Catalog Number: DV001
Country: UK
FLAC album size: 2778 mb
MP3 album size: 1523 mb

Tracklist

1Got To Release
2My Mind Is Going

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
DV 001/2Tango & Dom Tango & Dom - My Mind Is Going / Got To Release ‎(12", W/Lbl)Double VisionDV 001/2UK1992
DV001Tango & Dom Tango & Dom - Double Vision ‎(12", TP)Double VisionDV001UK1992
SFH004Tango & Dom Tango & Dom - Double Visions ‎(12", RE, RM, TP)Steel Fingers HeritageSFH004UK2017
noneTango & Dom Tango & Dom - Double Visions - Vol 1 Remixes ‎(Acetate, 10")City To CitynoneUK1992
DV001Tango & Dom Tango & Dom - Double Vision ‎(12", RE)Double VisionDV001UK2003

Notes

Track A samples:
Dialogue from the film The Osterman Weekend
Dialogue from the film 2001: A Space Odyssey

Barcodes

  • Matrix / Runout: DV001A RESPECT TO DJ RATTY, ALESA AND FIBRE OPTIC CREW.
  • Matrix / Runout: DV001AA TANGO AND DOM RETURN - DOUBLE VISIONS '92

Video

Comments to album Tango & Dom - Double Vision
Hidden Winter
Anyway of telling the difference between the 1992 TP version and the 1992 white label version???
sergant
The killer cut on this is "Gotta release" What a tune, this sums up 92 hardcore for me, fast & furious break beats coupled with a killer bassline & all topped off with a Euphoric piano breakdown & vocals ....this IS hardcore at its best
Vudomuro
Another vinyl masterpiece cut from the prolific studio of DJ Tango. 'My Mind is Going' is a good enough effort featuring 4/4 beats spiced up with snappy breaks. The first breakdown brings in a dark reese style bass. Unfortunately the track is let down by 2 different sets of poor rave stabs on both the second and third breakdowns. It of course features 'HAL' from 2001 for the vocal sample. 'Got to Release' however is a different class altogether, again sharp tight break beats kick off along with some relaxed hardcore stabs, then a killer reese bass. The main break comes with nice fast paced piano and vocal snippets. The track then builds itself up and down taking elements in and out to generate the familiar hardcore techno sound of the incredible 92 / 93 era. Way ahead of its time!
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