The Missing Brazilians - Warzone FLAC

Missing Brazilians Sound Dub Industrial Electro Experimental 2015

Genre:	Electronic / Reggae
Performer:	The Missing Brazilians
Title:	Warzone
Style:	Dub, Industrial, Electro, Experimental
Date of release:	13 Oct 2015
Label:	On-U Sound
Catalog Number:	ONULP34
Country:	UK
FLAC album size:	2125 mb
MP3 album size:	1492 mb

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Tracklist

1	Igloo Inn
2	Quicksand Beach Party
3	Frequency Feast
4	Gentle Killers
5	Meander
6	Missing Brazilians
7	Crocodile's Court
8	Savanna Prance

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
ON-U LP34	The Missing Brazilians	Warzone ‎(LP, Album)	On-U Sound	ON-U LP34	UK	1984
none	The Missing Brazilians	Warzone ‎(CDr, Album, Promo, RE, RM)	On-U Sound	none	UK	2015
ON-U CD 0034	The Missing Brazilians	Warzone ‎(CD, Album, Enh, RE)	On-U Sound	ON-U CD 0034	UK	1997

Credits

Bass – Crocodile (tracks: A1, A2, B1)
Drums – The Prisoner
Effects – Crocodile
Keyboards – Kishi
Lacquer Cut By – CGB
Mastered By – Kevin Metcalfe
Sleeve [Design], Photography By – Kishi

Barcodes

Barcode (Text): 5 060263 721345
Barcode (Scanned): 5060263721345
Matrix / Runout (side A): ONULP34 A CGB @ D&M
Matrix / Runout (side B): ONULP34 B CGB @ D&M

Companies

Recorded At – Southern Studios
Recorded At – Berry Street Studio
Mixed At – Southern Studios
Mixed At – Berry Street Studio
Mastered At – Utopia Studios
Lacquer Cut At – Dubplates & Mastering

Video

Buridora

Anyone have repetitive clicking on about half of A4 and the last half of B4? Returned one disc already, second disk has it also. Wondering if its a bad batch or pressing-wide.Edit 8/29/16:For the record, received a near-perfect copy 3rd time around, no clicking. Clicking must exist in some batch of pressings.A fantastic sounding record. I really couldn't appreciate this music in its digital (lossless even) format, but on a decent setup this record is great. This noise and treatments of this early U-Sound stuff can sound really harsh and abrasive in the digital versions I've heard, but really lose the abrasiveness and become richer and softer in this format. Very dynamic, great space, really weird. Basically a noisier, more industrial version of early-80s African Head Charge (shares some of the same musicians and producer as AHC).

Brajind

Ordered mine from Bleep.com in March 2017, no issues with mine. Hopefully they are past that clicking issue...

Lightbinder

How does the mastering compare with the original pressing, can anybody comment on this?Many thanks.

Lightwind

I can partially answer. While I do not have the original pressing, the liner notes of this say that it was pressed from the same mixdown, so it's going to be as close as you can get. While I can't compare it, the pressing is really full, spacious, clear (relative to the content), great low end. A richness of the distortion treatments come through in this physical copy where it does not in my lossless digital copy (admittedly of unknown origin).