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The Nobodies - Twentieth Anniversary Collection FLAC

Genre: Rock
Performer: The Nobodies
Title: Twentieth Anniversary Collection
Style: Experimental, Post-Punk, New Wave, Art Rock
Date of release: 10 May 2003
Label: Blood 'N' Tongue
Catalog Number: BT-16198301
Country: Canada
FLAC album size: 1420 mb
MP3 album size: 2016 mb

Tracklist

1Why Live1:42
2Empty Room3:31
3Elephant Man2:12
4House Warming3:19
5Interlude2:40
6Radio Man1:38
7Things1:05
8Assassin3:06
9Time Travel4:19
10The House4:01
11Oral Jam1:00
12Accoustic Jam1:21
13Follow The Flow3:26
14All The Bald Ladies1:24
1543 Feet1:14
16Talking To Bernice3:24
17Chicken Scratch3:09
18Working World2:05
19Slime Thing3:25
20Reclining Uncomfortably1:38
21Empty2:26
22Dancing In The Graveyard3:28
23Too Loose2:54
24Saddle Tramp1:13
25Those Boots4:36
26Bird House4:42
27Tom Can't Follow2:07
28I Hate Christmas1:06
29Sinking Ships2:43
30Through The Window5:10
31Change2:57
32Thinking About Me2:57
33Scorched Earth2:34
34Difficult Objects2:46
35Believer Without A Cause2:14
36Slow2:49
37Mellow3:04
38It's A Potato3:27
39Who Used All The Wet Soap6:00
40Schultz's Hammer4:51
41Looking3:31
42The Floor2:28
43Chicken Soup2:16
44Slow Dose Of Blue1:40
45Head Room4:56
46Orchestra In The Rain4:36

Credits

  • Composed By, PerformerMark Sippola (tracks: All except 12, 14, 28, 30, 34, 35, 37, 38, 39), Robert Handel (tracks: All except 17, 40, 41, 42, 44, 46), Stephen Ugo Rosin (tracks: All except 17 & 42), Tom Moore (tracks: 19, 38, 42)
  • Producer, Remastered By, DesignStephen Ugo Rosin

Notes

Tracks recorded in Thunder Bay, ON, and Powell River & Vancouver, BC, between August 1981 and March 1983. Remastered from reel to reel and cassette analogue source to digital media in 2001.

This collects the majority of the recordings made by this group. It excludes the initial recordings, which were done using a cheap portable cassette recorder and were deemed too primitive even for this catalogue. Things reached a level worth preserving once a reel to reel tape deck was introduced and the recordings could take advantage of the "sound on sound" dubbing feature. This particular machine only allowed this in mono, so the majority of the tracks are mono recordings (with some light stereo imaging being simulated during the remastering process). The whole thing is rather rough around the edges, but there are those amusing moments that can only happen in environments of ignorance and bliss!

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