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The Smithereens - A Date With The Smithereens FLAC

Genre: Rock
Performer: The Smithereens
Title: A Date With The Smithereens
Style: Alternative Rock, Pop Rock
Date of release: 1994
Label: RCA Victor
Catalog Number: RMJ 66391-2
Country: US
FLAC album size: 2761 mb
MP3 album size: 2469 mb

Tracklist

1Life Is So Beautiful3:25
2War For My Mind4:06
3Afternoon Tea3:55
4Long Way Back Again4:06
5Miles From Nowhere4:18
6Sleep The Night Away4:16
7Sick Of Seattle3:03
8Can't Go Home Anymore4:07
9Point Of No Return4:05
10Gotti4:51
11Love Is Gone3:40
12Everything I Have Is Blue4:27

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
07863 66391 2The Smithereens A Date With The Smithereens ‎(CD, Album)BMG, RCA07863 66391 2Germany1994
RCA 07863 66391-2The Smithereens A Date With The Smithereens ‎(CD, Album)RCA Victor, RCA Records LabelRCA 07863 66391-2US1994
44661-2CThe Smithereens A Date With The Smithereens ‎(CD, Album)BMG Special Products44661-2CCanada1994
07863 66391-2The Smithereens A Date With The Smithereens ‎(CD, Album)RCA07863 66391-2Canada1994
07863 66391-2The Smithereens A Date With The Smithereens ‎(CD, Album, Club)RCA Victor07863 66391-2US1994

Credits

  • ProducerDon Dixon

Notes

Issued in a custom card sleeve.

Video

Comments to album The Smithereens - A Date With The Smithereens
Felhann
This alternative power pop album slipped under most people's radar and didn't get very good reviews, yet "Miles from Nowhere" and "Point of No Return" both should've been contenders to reach the Top 10 in the modern rock/college radio charts. They're strong pop songs with great harmonies, every bit as good as "Only a Memory" musically. Pat DiNizio's vocal style is no worse than any other '90s rocker's, although there may be a case for claiming that his relatively straightforward style was becoming a little dated, too tied to the late '80s/early '90s alternative rock scene. My guess, though, is that the album's failure is mainly just in the lyrics, which at times are just too juvenile for the band's otherwise somewhat "serious" sound. Nevertheless, having come of age in this era, I enjoy the sound of tracks 1, 2, 3, and 5 well enough to put them in my shuffle-play rotation, and I also kept the ridiculously indulgent tracks 6 & 9 as guilty pleasures.
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