Artwork [Art] – Chuck Beeson, Jeff Ayeroff, Michael Cotten
Bass, Vocals – Rick Anderson
Choreography – Kenny Ortega
Coordinator [Album Coordination] – Bud Scoppa
Drums – Praire Prince
Drums, Percussion, Vocals – Mingo Lewis
Engineer [Assistant] – Bob Bullock
Guitar, Vocals – Sputnik Spooner
Keyboards, Vocals – Vince Welnick
Lead Vocals – Fee Waybill
Lighting [Lights] – Chris Taylor
Management – Artist International Management
Mixed By [Live Sound Mixer] – Max Norman
Other [Concert Presentation] – John Curd
Other [Concert Production, Lights & Sound] – TFA Electrosound
Other [Props] – Chopper Borges
Other [Wardrobe] – Sharon Hanks
Performer [Dancer] – Cindi Osborn, Lorryanna Catalano, Michael Springer , Re Styles
Photography By – E. Beers, Peter Stupar, Steve Emberton
Producer, Engineer, Mixed By, Mastered By – Pete Henderson
Producer, Mixed By, Mastered By – Rikki Farr
Stage Manager – Lee Hanks
Synthesizer – Michael Cotten
Vocals – Re Styles (tracks: 7)
Notes
Recorded at Hammersmith Odeon, London, November 1977. Mixed and mastered at Kendun Recorders, Burbank, California.
All selections published by Irving Music, Inc./Pseudo Songs (BMI) except "White Punks On Dope" and "What Do You Want From Life?" published by Irving Music, Inc./Pseudo Songs (BMI) and Bern Doubt Music (BMI), "God-Bird-Change" published by Hitman Music (BMI), "Don't Touch Me There" published by Lucky Prok Publ. (ASCAP) and "Stand Up And Shout" published by Madcap Music, Inc./Northern Music Corp. (ASCAP)