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Wonderland Avenue - White Horse FLAC

Genre: Electronic
Performer: Wonderland Avenue
Title: White Horse
Style: House, Electro, Tech House
Date of release: 17 Apr 2006
Label: Data Records
Catalog Number: DATA111CDS
Country: UK
FLAC album size: 1632 mb
MP3 album size: 1653 mb

Tracklist

1White Horse (JCA Remix)
Remix, Producer [Additional Production] – Jean-Claude Ades
10:35
2White Horse (Original)7:45
3White Horse (Superbass Remix)
Management [Represented By] – Ben TurnerRemix, Producer [Additional Production] – Superbass
8:10
4White Horse (Radio Edit)2:57
5White Horse (Mike Monday Remix)
Remix – Mike Monday
6:04
6White Horse (Rude Edit)2:57
7White Horse (Superbass Dub)
Management [Represented By] – Ben TurnerRemix, Producer [Additional Production] – Superbass
5:53

Versions

CategoryArtistTitle (Format)LabelCategoryCountryYear
KINK 35Wonderland Avenue White Horse ‎(12")Kinky VinylKINK 35UK2005
DATA 111TWonderland Avenue White Horse ‎(12")Data RecordsDATA 111TUK2006
EGO MIX 039Wonderland Avenue White Horse (Remix) ‎(12")Ego MusicEGO MIX 039Italy2006
23 21638-2Wonderland Avenue White Horse ‎(CD, Single)Mostiko23 21638-2Belgium2006
VLMX 1751-3Wonderland Avenue White Horse ‎(12")Tanga RecordsVLMX 1751-3Spain2006

Credits

  • Producer, Recorded ByHarvey Dawson, Steve Lavers
  • Written-ByJohn Guldberg, Tim Stahl

Notes

Published by Sing A Song Publishing APS/Universal Music Ltd. Covers Laid Back's 1983 song 'White Horse'.
Tracks 5 & 6 remix and additional production for www.wearesuperbass.com.
Superbass are represented by Ben Turner at Graphite Media.
Track 7 remix recorded at The Yard, UK. Under exclusive license from Kinky Vinyl.

Barcodes

  • Barcode: 5 060113 591739

Video

Comments to album Wonderland Avenue - White Horse
Enone
This single is quite the find. I bought it after hearing the Wonderland Avenue remix of Trisco's Musak and was blown away. The original mix has attitude to spare with it's steady and monotone beats and bass with effects carefully placed through the track. The vocals are mixed in so well that it's not blatently obvious they're sampled from a rock song; they echo throughout and build gradually. The breakdown is amazing, too, because it doesn't lose the rawness and pace of the track. Basically everything in the original mix is perfectly cohesive and falls right in time; amazing track with no surprises because it doesn't need any.

All 4 remixes are done extremely well, too. I am surprised that there are 2 Superbass remixes because they are the weaker tracks on the single, but are still done quite well. The Mike Monday remix is my favourite because he picked apart the original and fucked it up with sweeping bass effects, varying pitch vocals and somewhat steady beat. The JCA remix is brilliant and adds much depth to the original with more melody and a less dark feel. For some reason the vocals fit this track the best. The Superbass remix is more serious sounding than dark and laidback and I personally think that wasn't a good choice; if you have a laidback dark house track, don't make it all serious. The Superbass dub however is much more upbeat and dancable. It has cheery synths and a chugging beat and bass although much less vocals (obviously).

Overall, buy this if you like this kind of music because it is some of the best music that has ever entered my ear holes.
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